Was Columba gay?

Thousands of euro of public money are pouring into diverse celebrations this year throughout Ireland to celebrate the life of a 6th century Celtic monk called Columba (or Colmcille) – a strange and elusive man we know almost nothing about.

Even though schools, community centres, Christian churches, local councils and other groups celebrate the 1,500th year of the mystical monk’s birth, no-one knows exactly when he was born. Nor do we know exactly where. We think it was Donegal but we don’t know for sure what part. We know he left Ireland for the Scottish island of Iona where he spent a good part of his life. But we don’t know the real reasons why.

Sitting on the Torr an Aba (Hill of the Abbott) in front of Iona Abbey where it is said Columba did most of his meditating.

We don’t even know for sure if Columba had a mistress, a wife, children, or indeed whether he was gay or bisexual like many of the monks of his time. (Celibacy was not compulsory then, monks/priests could marry and have families and homosexuality was not denigrated as it is today by the Catholic Church).

Nor do we know where Columba is buried. It was thought his bones (or at least the smaller ones) were wrapped up inside a wooden casket covered with silver and copper-alloy designs known as a reliquary and carried by Scottish soldiers at the Battle of Bannockburn where they famously defeated the English. But we now learn there was nothing in the box, which now sits behind a glass case wired to a sophisticated security alarm system in the National Museum of Scotland in Edinburgh and labelled as the ‘Monymusk Reliquary.’

Make no bones about it – Columba’s relics are not in the ‘Monymusk Reliquary.’

The reason we know so little about Columba is that while he and his followers attracted a worldwide reputation for penning and illustrating magnificent books of all kinds including the famous Book of Kells, there are no records whatsoever of Columba’s own personal writing, not even a simple diary.

So, how is it then we’re spending so much public money celebrating a man we know nothing about, indeed a man who was never even declared a saint, though most people think he was. Why would the Vatican canonise him anyhow? After all, the Celtic Christian church Columba represented stood firmly against the Roman version, battling tooth and nail for ultimate supremacy, that issue being eventually settled at the Synod of Whitby in 664 with Rome being the victor.

Who knows, perhaps Columba, a lover of herbs, specially St. John’s Wort, followed too many Pagan practices, maybe even believing in faeries, and his writings were wilfully destroyed by the powers that be in Rome.

This brings me to another man, a man of our time.

Dr. Brian Lacey relaxes at his rural west Donegal home in the shadow of Errigal mountain.

Lively septuagenarian, author, archaeologist and historian, Brian Lacey is an exceptional dinner guest. A fine raconteur with quirky views of the world, he’s a man at ease with laughter and story-telling.

And he has just penned his latest book, on a spin-doctor called Adomnán (or Eunan) who single-handedly raised Columba’s name to ‘the High Heavens’ by inventing a series of mostly fictional or at the very least, highly-exaggerated, stories about the founder of Iona Monastery and the ‘miracles’ he supposedly performed.

Rather than it being a selfless literary endeavour, Adomnán’s reasons for writing his book were directly linked to both politics and money. In raising the profile of Columba, he also raised the public profile of the community of monks on Iona that he presided over 100 years after its founder had passed on, thus no doubt encouraging new recruits to sign up and more money donated to the monastery’s coffers.

Meeting the man himself, academic celebrity par excellence.

Some in Ireland might use local slang and call Adomnán ‘a cute hoor,’ loosely translated as ‘a shrewd scoundrel, especially in business or politics.’ Probably he was, but he also achieved much more, as you can see from the article below I wrote for the ‘Donegal News’ recently.

New Book On Columba’s Spin-doctor 

By Sean Hillen

Hemmed in by mountains in Dunlewey near the Poisoned Glen under the shadow of Errigal, one might think Dr. Brian Lacey has taken on the life of a hermit.

Far from it.

Instead, the gregarious 72-year-old regales visitors with colourful tales from bygone days with the natural gift of a seanchaí, explaining the complexities of early medieval life in an easy, entertaining manner.

That, and his vast experience as author, historian and archaeologist, has made him one of the most popular speakers on the life of Columba (Colmcille), the famed monk born yesterday (June 9) 1500 years ago.

Brian’s latest book, one of 15 he has penned, is of particular interest to scholars as the first written in over 1,000 years about a key 7th century figure called Adomnán, who was responsible for launching Columba into the forefront of popular folklore.

‘Without him, Columba could well have been simply a tiny blip on the radar screen of history,” said Brian, whose book entitled Adomnán, Adhamhnán, Eunan: Life and Afterlife published by Four Courts Press was launched during the recent American Conference for Irish Studies. “Adomnán wrote Vita Columbae, (Life of Columba) over a hundred years after Columba’s death in 597 AD and in doing so ‘made’ him into the saint later generations would celebrate.”

The Vita is in three sections – Columba’s alleged ‘miraculous’ powers,’ his ‘prophetic foreknowledge’ and his ‘angelic visions.’ While Brian admires Adomnán for his life’s achievements, he acknowledges he was, “an astute spin-doctor pushing his own Christian agenda.”

“If I met him, I would share few of the same beliefs, most particularly his religious views, but I certainly acknowledge his accomplishments and skill,” he said about the 9th abbot of Iona in Scotland where Columba established his community. “He probably ignored any evidence that cast Columba in a bad light. Instead of a biography he compiled a work of hagiography to extol his spirituality. He also voiced his own political convictions and raised the prestige of the monastic federation – the Familia Columbae – over which he was leader.”

He adds that Adomnán, who was probably born close to Raphoe and studied at Drumhome monastery in south Donegal, even had Columba ‘ordain’ Áedán mac Gabráin, King of Dál Riata, reputedly the earliest recorded instance in European history of the Christian inauguration of a king. “The story fitted Adomnán’s belief in an ideal Christian kingship established in Ireland and Britain,” said Brian.

Brian praises Adomnán for having many ‘firsts.’ 

“He was first to draft a law – Lex Innocentium – for the protection of noncombatants in war, a precursor of the Geneva Convention,” he said. “He also wrote the oldest surviving ‘guide-book’ from western Europe about the Holy Land, De Locis Sanctis, (Concerning Sacred Places), including famous buildings, structures and relics. In it, he also introduced to the English a character who would later become their patron saint – Saint George.”

Brian also said Adomnán was the first to write about the Lough Ness monster, which makes its appearance in the Vita when Columba sees people burying a man savaged by ‘a water beast.’ Adomnán also gained fame as a hostage negotiator, helping free 80 prisoners held by the King of Northumbria.

Flying  high

Eldest of nine children and son of a train driver in Donnybrook, history was not Brian’s first career choice. Before the academic bug hit, he worked in air traffic control in Dublin and Shannon, earning around eight pounds a week, before leaving for Brussels and Paris.

But investigating the past was a pet passion and he soon left the security of the skies and hit the ground running, studying early and medieval Irish history at UCD, becoming a lecturer at Magee College in Derry in the mid-1970s. Brian later led a team of 35 people on a one-year archaeological survey of Donegal, the first project of its kind in Ireland. “This brought us to almost every field in the county,” he recalls fondly. “Four thousand sites, including an Iron Age barracks near the Barnesmore Gap and over two thousand sites dated before 1700 AD.” That project, completed in 1983, helped Brian become head of Derry City Council’s Heritage and Museum Service and director of the Dublin-based Discovery Programme. 

In his pursuit of truth in history, Brian is not averse to controversy. He considers the Christian tale involving saints Colmcille, Fionán, Dubthach and Begley at Cnoc na Naomh (Hill of the Saints) at Machaire Rabhartaigh deciding by tossing their croziers who should convert Tory islanders, to be rooted in Paganism. “This story emerged out of the cult of Lugh and his spear. Adoration of Lugh was widespread through Europe, but the Romans, then Christianity, killed that belief.” 

Having already written an earlier book entitled ‘Saint Columba His Life and Legacy,’ Brian is something of an academic celebrity at many events linked to Columba throughout this special commemoration year.

Published in the ‘Donegal News’

If you want to know more about skulduggery disguised as religion and furious political struggles between Celtic Christians and their Roman counterparts, read the excellent series of Sister Fidelma novels by Peter Tremayne (pseudonym for Peter Berresford Ellis, historian, literary biographer and novelist). 

Fidelma is a ‘dálaigh’ or judge in ancient Ireland, a sexy red-haired female version of Sherlock Holmes in a habit.

Intrigued by the reputation of this early Irish mystic monk known as Columba, I decided as a travel writer to head for Iona, the Scottish island where he established his community of like-minded people. Here’s what I found after landing on a little stony pier after taking the ferry from Mull last autumn, a massive, treacherous sea crossing that took all of five minutes.

Click on the photo to read the story

New writing competition – almost 3,000 euro worth of awards

If you like writing, please take note – a new competition in northwestern Ireland offers around 3,000 euro worth of awards, for just 500 words.

With the coronavirus outbreak forcing many of us to stay home, Donegal-based ‘Ireland Writing Retreat,’ at which I am co-founder and tutor, decided this was a good time to launch its first-ever competition, with key prizes for winners.

Welcome to the inaugural ‘Wild Atlantic Writing Awards’ (WAWA), a competition that we hope will provide challenge, diversion and enjoyment for you as a wordsmith in the strange times we live in right now.

After much brainstorming, it was decided the competition should reflect the nature of ‘Ireland Writing Retreat’ itself and what it has focused on over the last five years of operation.

The conclusion: not one, but two, separate competitions: fiction and creative nonfiction.

woman in gray sweater sitting on wooden floor typing on portable computer

Photo by bongkarn thanyakij on Pexels.com

Flash Fiction Award

The fiction writing competition is open to all genres – sci-fi, crime, romance, horror, humor, thriller, mystery, whatever tickles you and your Muse’s fancy. And it is in the form of flash fiction, a field growing rapidly in popularity.

To add spice to the idea, there is a single theme.

After many hours of debate, we realised the perfect one was staring us right in the face.

Writing itself.

In other words, upon reading competition entries, judges are left in no doubt that a key element in your story is linked in some way to writing itself. For example, one of the characters, human or non-human, could be a writer. Or a piece of writing could play a key role in the story. Let your imagination be your guide.

All you have to do is pen a flash fiction story in any style or genre focusing on the act of writing, in any way, shape or form, up to a maximum of 500 words.

PRIZE

The winning entry will receive 500 euro in cash.

And more.

An added bonus of 990 euro in value in the form of free participation* – including all excursions, by land and sea, food and drinks tastings, concerts and dance performances, and all writing workshops and author talks – at one of our retreats of your choice, either this autumn in either Paris or Donegal, or one of our retreats next year.

In effect, a total prize equal to almost 1,500 euro.

Plus, with the writer’s permission, the winning entry will be published on the ‘Ireland Writing Retreat’ website, with short bio and photograph. The writer retains all copyright to her or his work.

sad elderly man writing on brown notebook

Photo by Andrea Piacquadio on Pexels.com

Creative Nonfiction Award

As for our creative nonfiction competition, we offer you a similar challenge.

To write a story of not more than 500 words on any subject – whether it be in the form of memoir, profile, literary journalism, personal essay, travel (and remember, award-winning travel articles don’t have to be about exotic destinations, it could be about your own hometown), food, or any creative nonfiction category you prefer.

PRIZE

The winner will receive 500 euro in cash.

And more.

An added bonus of 990 euro in value in the form of free participation* – including all excursions, by land and sea, food and drinks tastings, concerts and dance performances, and all writing workshops and author talks – at one of our retreats of your choice, either this autumn in either Paris or Donegal, or one of our retreats next year.

In effect, a total prize equal to almost 1,500 euro.

Again, with the writer’s permission, the winning entry will be published on the ‘Ireland Writing Retreat’ website, with short bio and photograph. The writer retains all copyrights to her or his work.

Grab this golden opportunity to unleash your creative abilities during this period of restrictive ‘social distancing’ and emerge a happy winner.

Enter now the Wild Atlantic Writing Awards.

*See full terms and conditions.

Festive tribute to the creative, artistic people of Donegal

Getting kissing techniques just right for on-stage credibility, takes practice.

Ask director-cum-teacher Máire Ioannidis.

She’s taught loads of people how to do it, her latest challenge being in the recent production of the musical ‘Hairspray’ by students at Pobalscoil Chloich Cheann Fhaola at Amharclann theatre in Bunbeg recently.

“Where do you put your hands, your arms,” she explained to me during a conversation after the Donegal Gaeltacht’s school’s triumphant, four-show run attended by more than a thousand people. “What side do turn your head to kiss, if you both turn the same way heads, noses may bump together, hardly an authentic and romantic sight to behold.”

That was only one of many challenges facing Máire and her team in the ambitious production. Capacity crowds and standing ovations are testament to the fact that they got them all right, including directing sixty-six teenagers.

Tickets for all productions were like gold-dust, with friendly Amharclann general manager, Manus O’Domhnaill, saying the shows provided a record attendance for the historic theatre, which was established in 1961 and reopened after major renovation more than a year ago.

Speaking about ‘Hairspray,’ Máire said proudly, “This particular musical holds a special place in my heart, a story about an amazing opportunity that turns a vision into reality. And I thoroughly enjoyed working with our talented students who showed commitment, energy and enthusiasm throughout. Unlocking their confidence, seeing them grow and perform on stage each night along with watching their joyous celebrations and a shared team attitude of ‘we did it!’ at the end of each show made this whole experience very worthwhile.”

‘Hairspray’ is an American musical with score by Marc Shaiman and lyrics by Scott Wittman based on John Waters’ 1988 film. Winner of eight Tony Awards, including best musical, it focuses on efforts by a dance-loving teenager to bring racial integration to a popular TV show in 1960s Baltimore.

Having gone to watch several productions of ‘Hairspray,’ in other theaters, Máire and her team then created several unique extras to their production. These included performers surprising audiences by entering from different doorways at Amharclann and a scene in which a chorus of singers walk through the aisles holding candles singing, then sitting on the floor among the audience.

Set changes were accomplished professionally with the aid of lighting, for example, from an ordinary living-room scene complete with ironing-board and TV to that of a prison cell, in which the lead performer, Róisín Doogan, playing Tracy Turnblad, has been incarcerated.

From the get-go, the opening song and dance routine ‘Good Morning Baltimore,’ this production leaped along in vibrant bounds with other complex choreography and songs including a powerful renditions of ‘Big, Blond and Beautiful,’ ‘Mama, I’m A Big Girl Now’ and ‘It Takes Two’ spiced with comedy and sentiment.

“PCC’s production of ‘Hairspray’ was full of energy from beginning to end,” said Eoghan Mac Giolla Bhrighde, a well-known actor who was in charge of lighting for this show. “Their singing was lively and it was excellently choreographed. It was well cast and they all portrayed their character effortlessly. Their drive and enthusiasm was palpable, students and teachers alike. “

Máire herself is no stranger to the arts, being a member of local acting group, Aisteori Ghaoth Dobhair, and an accomplished flute player. She also directed a school production of ‘Grease’ for two consecutive years. Of Gweedorean-Greek parentage, Máire has worked at Pobalscoil Chloich Cheann Fhaola for the last four years teaching a mix of Irish language, IT and business.

Aside from the versatile student actors and singers, full credit goes to crew, some of whom were also students, and senior production members including producer Donna Coll; choral director, Siún McDermott-Lyng; choreographer, Maureen Byrne; audio Noel Boylan; set construction, Joe Coll, Christopher Symth and Manus Gallagher; costumes, Mairead Harkin McGee and Siobhan Doogan. School principal, Maeve Sweeney and her deputy, Donna McFadden, said they were “over the moon about the show’s success.” Profits went towards various school expenses.

Coming up soon at Amharclann is its annual pantomime, this one entitled, ‘Leipreachán an Phota Mhóir.’ With Eoghan Mac Giolla Bhrighde involved, both on and off-stage, it’s bound to be a beauty. Don’t miss it! January 24-26 and January 30 to February 1.

The Amharclann and student actors and production crew at Pobalscoil Chloich Cheann Fhaola are only the tip of the iceberg of creativity throughout the Donegal Gaeltacht. Throw a stone and you’re likely to hit a painter, a musician, a sculptor, a yoga teacher, a hypnotherapist, a novelist, a poet, a psychotherapist on the head.

Consider the wondrous wealth of talent coming up beginning tomorrow at the Scoil Gheimhridh Ghaoth Dobhair, the Gweedore Winter School beginning tomorrow (Friday) –  http://scoilgheimhridh.com/

Also, please read previous blog on this site on an issue vitally important for everyone living in Donegal.

And check out ‘Ireland Writing Retreat’ https://www.irelandwritingretreat.com/ and my novel, ‘Pretty Ugly,’ linking Donegal and the United States https://www.amazon.co.uk/Pretty-Ugly-Sean-Hillen/dp/1523361158

Journalism: a funny thing, sometimes

Sometimes it’s not writing about political showmanship and skullduggery or economic booms and busts that create good journalism.

Sometimes, it’s the simple quirks of everyday life that make for a good story.

You can imagine my delight in unearthing these two tales of near disaster in Donegal that end happily.

They give new meaning to the term ‘missing people.’

Missing boy (5) found safe – in a hot press on Gola Island

gola island donegal, donegal tourism, gaeltacht tourism,

He almost ‘missed the boat’ 

gaeltacht tourism, gola island, donegal tourism

 

Traditional Tennessee music comes to northwest Ireland

Dressed in checked shirts, caps and denim dungarees with big colorful handkerchiefs sticking out of back pockets, American musicians at Letterkenny’s Regional Cultural Center (RCC) this week looked as ready for harvesting corn (or producing moonshine from it) as hosting a concert.

Fortunately, it was the latter and what a knee-slapping hoedown the evening turned out to be courtesy of the Tennessee Mafia Jug Band, combining a mix of musical talent and fine stagemanship with good humor, including some zany ‘instruments.’

With an impressive number of CDs behind them, the five-member group are so at ease on stage, they often decide at the last minute which song they’ll play next, which lends their concerts a delightful sense of spontaneity, such as when they ended this week’s show with a lively rendering of that all-time Irish classic, ‘It’s a Long Way to Tipperary.’

As evidenced Wednesday evening at the RCC, their inventory of songs and tunes is diverse, ranging from romantic ballads to spine-chilling ghost stories to comical tales of ‘tooth picking time in false-tooth valley’ and revengeful chickens as in ‘Ghost Chickens In The Sky.’

Add to the mix, the well-honed skills of Dan Kelly on fiddle; smiling Ernie Sykes on bass and voice; bald-pated, nimble-fingered John Tomlin on mandolin and voice; versatile band leader Troy Boswell, known professionally as Leroy Troy, playing claw hammer-style banjo, harmonica and washboard and voice, as well as Mike Armistead on guitar and voice.

Concert-goers were also treated to the amusing sight of Troy teasing a tune out of a plastic milk jug and a water bottle and Sykes producing the same from closed hands on the song, ‘Sick, Sober and Sorry,’ and then later hilariously miming a chicken.

Among the song highlights of the evening were a touching ballad entitled ‘These Hands’ and the carefree ‘Chug-a-Lug,’ about aforesaid moonshine, written and recorded by American country artist Roger Miller, both sung by Sykes; the ghostly tale and bluegrass classic, ‘Bringing Mary Home’ written by Chaw Mank, Joe Kingston and John Duffey and sung by Tomlin; as well as ‘Miller’s Cave,’ a Don Williams melody and the hilarious and probably most confusing song yet written, for which a family diagram is required, ‘I’m My Own Grandpa,’ both sung by Troy. Instrumentally, Troy’s prowess on the scrub board on ‘They Cut Down The Old Pine Tree’ was a delight, as was the group’s interpretation of the Hank Williams song ‘A Mansion On The Hill.’

The evening’s concert was ably opened by singer-guitarist Nashville-born George Harper, who sang a variety of songs from his ‘I’ll Be Back’ and ‘No Smokin In Here’ albums including the lively ‘Overland Express’ and a traditional folk song with the amusing kick-line ‘sugar tit a mile wide and six feet long.’ Northwest Ireland wasn’t left out of his repertoire either, with ‘Why Do I Go To Sligo,’ a song about the pretty girls of that particular town, written after a previous gig there. His voice and Tomlin’s mandolin playing on the love ballad, ‘A Stone’s Throw Away’ made for a perfect combination.

Considering Letterkenny lies in the peripheral end of Ireland, about three-hours away from Dublin where music groups often congregate, great credit goes to RCC director, Shaun Hannigan and his colleagues there, as well as Donegal County Council Arts Officer, Traolach O’Fionnain, for bringing so many diverse bands to play. Last week I enjoyed a marvelous performance by ‘Hot Club of Cowtown’ and the series of US country concerts ends next Friday (Nov. 11) with singer-songwriter-musician, Maine-born Jude Johnston performing alongside Linley Hamilton and Dave Keary. After that it’s something different – a Swiss jazz trio, Vein, with New York saxophonist, Greg Osby, on Thursday Nov. 17, and acoustic guitarist Pierre Bensusan from France, the very next day, Fri. 18.

The concerts are presented in association with Earagail Arts Festival, Donegal Music Education Partnership and Music Network.

Unique chance to meet Washington-based author and former CNN editor in west Donegal

Wandering through a dappled glade in Glenveigh National Park a short while back, Lugh and Siog, our two loving, lively, not-so-shy Irish collies – as is their habit – found some new friends. A bearded man, his wife and his daughter.
That man turned out to be Washington-based former CNN senior editor and triple-book author, John DeDakis, a friendly fellow over on this side of the Pond on a short holiday – his first foray into Donegal.
He must have liked what he saw, for that same man I am delighted to say, will now speak at a special public event hosted by ‘Ireland Writing Retreat’ at Teac Jack in Gaoth Dobhair this Monday evening, June 29, at 8pm, sharing his decades-long experiences in American TV and radio broadcasting – including interviewing Alfred Hitchcock – as well as writing three crime suspense novels.
Interestingly, the protagonist in John’s three crime novels is a young woman, so – having honed his writing skills from a female perspective – he will talk about what he learned about the mistakes men make in trying to forge meaningful relationships with women.
In his fourth novel, which he is working on now, John deals with the death of his 22-year-old son. During his talk, he will explain why he wanted to tackle such a personal and painful topic.
John will also offer advice to those who feel they have an interesting story to tell, but are confused about how to get started writing it.
 
Staffed 24 hours, seven days a week at CNN‘s world headquarters in Atlanta, Georgia, and in bureaus worldwide, the television and online news network has a global team of almost 4,000 news professionals. Its news and information services are available in five different languages across all major TV, internet and mobile platforms reaching more than 380 million households worldwide.
“It is a delight to be a part of the Ireland Writing Retreat in Donegal,” said John earlier this week, several days before he departed from the US capital. “It is wonderful that such an international event as this takes place amid such a beautiful landscape, a perfect backdrop for artists of all kinds, including creative writers.” 
His exciting and informative multi-media presentation is entitled ‘From Journalist to Novelist Or How I Learned to Start Making it Up.’ If you’re interested in news, journalism, current events or creative writing – don’t miss it.
Among the many roles, John played at CNN was as senior script editor of the popular Emmy and Peabody-Award winning programme, ‘The Situation Room,’ hosted by Wolf Blitzer, which offered expert analysis of the world’s top news and current affairs stories, both national and international.
John is travelling direct to west Donegal from Washington this weekend to join a line-up of top-notch published authors in diverse genres, including crime, magic realism and science fiction, for the week-long ‘Ireland Writing Retreat’ where they will help retreat participants improve their creative writing skills.
His interest in the crime suspense genre began long before he finished the first of his three published novels, ‘Fast Track,’ ‘Bluff’ and ‘Troubled Water.’ He enjoyed the rare privilege of conducting a 40-minute, one-on-one interview with the man who has been nicknamed the ‘Master of Suspense,’ Alfred Hitchcock. The career of this British director, who pioneered many techniques in psychological thriller movie genres, spanned half a century and included such film successes as ‘The Birds,’ ‘Dial M for Murder’ and ‘Psycho.’
John was also White House correspondent for CBN News during the last three years of Ronald Reagan’s presidency. He is an adjunct journalism faculty member at the University of Maryland-College Park and has been a lecturer at the American University, Washington, D.C. and Writer-in-Residence at the Callanwolde Fine Arts Center in Atlanta, teaching fiction writing classes and holding one-on-one writing tutorials.
For details on how to book your place see Ireland Writing Retreat

Colmcille: mysterious monk, mystic and mischief-maker

Though his name has become well known down through the centuries, nobody seems to know much about him – one of the reasons he has become a figure of legend.

But efforts are now underway to unmask the mysterious Irish monk known as Colmcille and in so doing create a special pilgrimage aka the Camino of Santiago de Compostela that could provide a much needed boost to the ailing tourism sector amid the rugged beauty of northwest Ireland.

To this end, a launch event will take place this Friday at 12.30 in An Crann Og in Derrybeg, west Donegal, where all will be revealed.

invitation

Much of the information about the enigmatic fellow was written many years after his death in the middle of the 6th century and as such, as often happens when attempts are made to enhance an individual’s saintly credentials, is either embellished or simply inaccurate. But the result has been even greater intrigue and heightened interest in the fellow – what he did and what he stood for.

One absorbing element is that his name is linked to the ‘illegal’ copying of a secret manuscript – with many observers saying it may have been the first-ever case of copyright infringement. But nobody is certain whether it really happened as described or, if it did, what the sacred document was, belonging to Finian, the monk’s former teacher, that Colmcille felt such a great need to copy, and why.

Following the incident, Diarmuid, High King of Tara, is supposed to have handed down an edict, “To every cow her calf, and to every book its transcript. And therefore to Finian of Moville belongeth the book.” Not surprisingly, this decision was not to the liking of certain interested parties, including the revered monk himself. Records indicate fighting erupted over this bizarre case of intellectual theft with Colmcille facing the High King at the ‘Battle of the Book’ on the slopes of Benbulben in Sligo.

Some also say this – a bloody battle that left several thousand dead – was the reason Colmcille left Ireland for Scotland voluntarily and with great remorse, to establish his own settlement on the island of Iona. Others say he was ordered, or ‘advised,’ to get out of town fast or have assassins forever chasing his tail. After all, a spear to the head or sword to the gut were pretty strong persuaders in the dark days when rival monks were also fighters well trained in the art of swift and agonizing chop-chop.

Colmcille’s story by most accounts began in Gartan, Donegal, where he was born into the northern branch of the O’Neill Clann around 521. His mother, Eithne, was believed to be a princess from Leinster, and his father, Fedelmidh, a prince of Tír Conaill and the great grandson of Niall of the Nine Hostages, the pagan king who brought Patrick, he of shamrock fame, as a slave to Ireland. Christened Criomhthann (meaning ‘fox’), Colmcille certainly lived up to his name, jumping in among the chickens as he did and causing such a furor.

Scholar, warrior, mischief-maker, prince, diplomat – Colmcille seems to have been a man of many parts. If you want to learn more about him, be at Crannog, this Friday where Brian Lacey, renown historian, author and expert in the era, and Moira Ní Ghallachóir, founder of outdoors tourism group, mng.ie which organises ‘Rock agus Roam,’ will speak at the launch of an innovative tourism venture entitled ‘Connecting Colmcille.’

In addition, a special exhibition entitled ‘Amra Cholium Chille’ – a modern translation of a poem composed after the monk’s death with paintings by Brian Ferran and caligraphy by Donald Murray – will be opened at An Gailearai in Aislann Ghaoth Dobhair at 8pm this Friday evening. The event is free and open to the public with wine and refreshments served.

For further reading, see the works of University College Cork’s Máire Herbert (Iona, Kells, and Derry: The History and Hagiography of the Monastic Familia of Columba) and Brian Lacey (Saint Columba: His Life & Legacy).

Connecting Colmcille 1

Michael the modern Messiah

With gray beard, tousled hair and wrinkled coat and pants, writer Michael Harding descended upon Donegal Friday night looking all the world like the modern risen Messiah and promptly mesmerized his disciples.

As one who enjoys a night at the theatre  – pointing my rickety but faithful jalopy weekly out my pebble-stoned driveway enroute to one venue or another – it has been a long while since I last saw An Grianan theatre so packed (a shame really as it hosts so many enjoyable performances).

Photo courtesy of Michael Harding

Photo courtesy of Michael Harding

On this occasion, rightly, theatre director Patricia McBride and her marketing adjutant, Daithi Ramsay, should be marching triumphantly all the way to the bank. Or at least to the office of Traolach O’Fionnan, arts officer at Donegal County Council, with hands outstretched for a somewhat larger annual stipend.

So what magical message did the Messiah from Cavan (via Leitrim) bring northwards to have created such a keen fan base that left nary a seat unoccupied. Notwithstanding the writer-cum-playwright-cum-columnist-cum-actor’s obvious charisma, down-to-earth homeliness and ageless, sage-like physical bearing, I’ve narrowed his popularity in Donegal down to several things –

  • Humanism:  Harding carries a soothing, spiritual message that – in the stress-bedraggled world we inhabit – is manna from heaven. In this respect, he is suitably qualified – as a priest, a calling he abandoned after some years, then as a Buddhist, a calling he continues still. Summing up his lifestyle message Friday night, the author of ‘Staring at Lakes’ and ‘Hanging with the Elephant,’ said, “The ultimate wisdom is that there is no wisdom, so fuck it, just relax,” adding that his secret to contented living was following what he termed “the ancient Gaelic tradition of meditation” – in a word, ‘dozing.’ “I think I’ll start organising workshops training people how to doze properly,” he said tongue-in-cheek.
  • Nostalgia – he recounts homespun, heart-warming tales about life, love and growing old; about mothers and families and childhood, suggestions of innocence reminiscent of our own youth, of those fading bygone years we’ll never experience again but in which we bathe joyously for the remembering and the re-telling. In this respect, Harding is a wistful humourist, the Irish equivalent of Garrison Keillor whose radio programme, ‘A Prairie Home Companion,’ I listened to faithfully on National Public Radio each Saturday evening when I lived across the Atlantic.

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  • Empathy – the performer’s first words after coming on stage Friday evening were, “I’m not well,” said with a downright doleful expression. Immediately he’d captured the audience’s undivided attention. After all, having all been sick at one time or another, hearing someone else who’s sick makes us feel both empathy for that person and better about ourselves, either because, fortunately, we are no longer sick or because we are still sick but as Mephistopheles tells Faustus in Christopher Marlowe’s classic tale “Misery loves company.”
  • Sympathy – one of Harding’s strengths is that he is unafraid to bear his soul, to show his vulnerable side. With a hint of melancholy, he touches – often poignantly – upon self-doubts, mistakes, indecisions, depression and the other suitcases of distress that life tends to carry with it. And we feel for him and support him and want him so dearly to succeed because – aside from altruism – if he emerges okay at the other end, then there’s hope for the rest of us.

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  • Hilarity – Harding can be belly-wobblingly funny – no more so when he is in a self-deprecating mood or on a sudden flight of fancy. The aisles rocked with fits of laughter Friday night as he launched into a story about how – in the muddled midst of a mid-life crisis  – he read that shaving one’s pubic hair helped expand exponentially one’s erotic experiences.  So, fortified by a bottle of wine, he sallied forth, “with a Wilkinson triple blade.” Unfortunately, the mirror he was using was not tall enough so he had to balance himself precariously on a chair to accomplish the feat. The result: “fresh breezes in the nether regions and a boil from an ingrowing hair that had to be pierced by a doctor – a lady.”

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  • Familiarity – Michael has been to Donegal on several occasions, last year at An Earagail Arts Festival with singer Tommy Sands and in late 2013, speaking after the launch of ‘Staring at Lakes.’ He also spent some time previously on holiday in the county and opened the Scoil Gheimhridh Ghaoth Dobhair a few months ago.

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Overall the evening with Michael Harding was a most enjoyable occasion ripe with amusing, philosophical ramblings that left the audience departing the theatre wrapped in added layers of warmth to fend off the cold, biting weather outside.

With but a mysterious suitcase on the floor stage centre, a padded armchair and his lectern as props, Harding took his listeners on a delightful stroll down ‘Nostalgia Avenue,’ his deft turns of phrase encapsulating many-layered meanings in a flurry of simple-seeming words.

His ability to mix ‘n match moods, swinging rapidly from melancholy to bittersweet to outright hilarity was impressive, all part and parcel of personal anecdotes gleaned from the trials and tribulations of his own life. One illustrative example was when he described how his mother would make him wait in the street in front of a draper’s shop while she went in to buy “women’s things” leaving him “to develop childhood neuroses outside,” then in response to the shop-owner asking if he was her son, she’d say yes but that she would have preferred a daughter.

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And how, not having sisters, it took a visit by three Letterkenny girls to his home for him to see “women’s things” first-hand. “Their bras hanging in the bathroom like a line of dead rabbits,” as he amusingly put it.

The writer’s description of rummaging through his mother’s belongs soon after her death was emotive by its sheer simplicity. “I found my dead mother in little boxes and drawers,” he said, before recounting exactly what he found.

Harding’s terse turns of phrase can be poetic as when he talks about his Aunt Molly, as “a woman like a tree with so many shaking bits” or love in Cavan as “not many hugs but a lot of apple tarts and extra portions of potatoes.” Or even a dead chicken hanging on an assembly line in a meat factory as “wrinkled and naked like an old man’s neck.” His sharp observations of everyday life are also impressive as when he describes his uncle sleeping as “heavy on the bed like a hammock” or the danger of men “having ideas” especially in the toilet, leading him to warn women to beware of men emerging saying, “I was just thinking…..”

His insights on Irish rural life are delightfully illuminating whether they about the tradition of “throwing cocks over neighbours walls” to keep a healthy gene pool or the differences between the rural walk (“with chakras open”) and the urban one – both of which were accompanied by amusing on-stage simulations. Or even the annual ‘Blessing of the Graves” which he describes as, “Getting out the deckchairs and sitting on top of the dead to keep them down.”

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Photo courtesy of Michael Harding

Harding, not surprisingly, has a love for his native Cavan, though he admits, with himself foremost in mind, that, “you’re not going up in the world merely by going from Cavan to Leitrim,” adding that he is more “a refugee seeking asylum.”

An oft-quoted saying is that ‘one can never go back home,’ but Harding achieves the next best thing, resurrecting vivid memories of places and people from his past that help bring an audience on an enjoyable and entertaining journey of nostalgia.

Minister of Public Expenditure raps Údarás na Gaeltachta for lack of transparency

Minister of Public Expenditure and Reform, Brendan Howlin, has rapped Údarás na Gaeltachta on the knuckles for failing to release vital information on spending of public money affecting Donegal and other Gaeltacht areas.

Following a refusal by Údarás to provide details on hefty pension payments to former executives that accounts for more than half its annual budget under a Freedom of Information (FOI) request I filed, formal written parliamentary questions were submitted by TDs angry about the lack of transparency by the Gaeltacht economic development group.

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Such questions culminated in one by Mary Lou McDonald, Sinn Fein TD and member of the Public Accounts Committee (PAC) on my behalf, directly to the Minister, “To ask the Minister for Public Expenditure and Reform in view of his stated commitment to transparency and accountability in the spending of public moneys, his views that it is acceptable for a public body fully funded by the Exchequer to withhold from the public record details of public service pension arrangements on retirement for senior managers; and if he will legislate to require all publicly funded bodies to make such information public in the interests of open Government.”

A formal written response has just been received from Minister Howlin, in which he, in effect, tacitly states that Údarás was wrong to turn down my FOI request seeking details of pensions for former executives paid wholly out of public funds, and that it should release the information forthwith.

The Minister writes, “Under the 2014 (Freedom of Information) Act, the terms and conditions of any individual who holds or held any office or other position remunerated from public funds in a public body, rather than just those of a Director or member of staff as provided for under the 1997 Act, are not afforded the protections under the Act in relation to personal information. On that basis, the type of information to which the Deputy’s question refers i.e. public service pension arrangements on retirement for senior managers which would be part of remuneration, would be available from a public body that was subject to FOI, other than where a specific exemption applies against the release of such information.

The Minister elaborates further, “Under the Freedom of Information Act 2014, as was the case in the original Freedom of Information Act in 1997, an exemption from the provisions of Freedom Of Information (FOI) is provided for personal information. The 2014 Act also expanded the definition of what does not constitute personal information in the context of FOI.”

In answer to McDonald’s question as to whether the Minister “will legislate to require all publicly funded bodies to make such information public in the interests of open Government,” the Minister writes, “Given the matter is already provided for by the Freedom of Information Act 2014, I do not consider further legislative action is required.

As we have seen with scandal-hit FAS and other Irish state bodies that abused peoples’ trust and misspent public money, the only way to prevent corruption is by creating greater transparency. The government coalition of Fine Gael and Labour made this a central issue in their electoral platform. In the three years since they took office, little progress has been made.

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Several weeks ago, Ireland was placed 31st position ‘in the league of transparent nations’ following research by the World Wide Web Foundation. It is the worst of any European nation, even behind countries such as Russia, Mexico and Brazil. The group’s categorized Ireland as a country that faces challenges to “mainstreaming open data across government and institutionalizing it as a sustainable practice.” It also said “core data on how the government is spending taxpayers’ money and how public services are performing remains inaccessible or pay-walled even though such information is critical to fight corruption and promote fair competition is even harder to get.”

Tim Berners-Lee, Web, founder of the Web Foundation and the London-based Open Data Institute, said, “Governments continue to shy away from publishing the very data that can be used to enhance accountability and trust” and highlighted the power of open data “to put power in the hands of citizens.”

Údarás is a classic case in point.

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Dinny McGinley, former junior minister for the Gaeltacht, wrote back in a vague response to my FOI request saying simply that Údarás had informed him it was “a data controller, defined under the Acts as a person who either alone or with others controls the contents and use of personal data.

For so many years untouchable hidden behind a veil of Irish-language support, Údarás perhaps is in many ways no different to FAS in terms of greed and individual self-interests. According to Údarás sources, former board members in Donegal remained in boardroom meetings during discussions on lucrative payments to their very own companies and organisations. In addition, not one but at least three Donegal Údarás board members have been up before the Standards in Public Office Commission on corruption charges relating to double dipping on expenses. When one considers the expense claims for board members, particularly under the long-time chairmanship of Liam Cunningham from Glencolmbcille (from 2005 to 2010 he received more than 155,000 euro in fees and expenses, according to Highland Radio), one has an idea of the unchecked, proliferate spending that went on.

Some details as already reported by Highland Radio –

  • Four former Donegal members of the Údarás board each received in excess of 100,000 euro each, over a four-year period, in travel expenses.
  • Fianna Fáil member Daithi Alcorn earned nearly €120,000 between 2005 and 2009;
  • Fianna Fail Senator Brian O Domhnaill received €115,000 while independent Donegal member Padraig O Dochartaigh received €105,000.

Over one billion euro of public money has already gone into supporting Udaras na Gaeltachta yet unemployment rates in Gaetachts are consistently highest in the nation.

Misspending of public money (an issue brought up by the former head of the PAC, see 3-part series article series), includes all-expenses trips to Las Vegas for Udaras board members and their spouses – supposedly to meet a delegation of the IDA;

In truth, Údarás was – and perhaps still is – a cash cow for well-to-do insiders in west Donegal.

It is long past time Údarás prepared proper annual reports instead of the porous documents it now produces that disguise the spending picture and that it holds open public meetings to allow the people of the Gaeltacht to know exactly how their hard-earned money is being spent.

TV3’s Vincent Browne ‘People’s Debate’ in Donegal attracts lively discussion

While Fine Gael and Labour were expected to take a beating at yesterday evening’s Vincent Browne-hosted ‘People’s Debate’ in Letterkenny – in part deserved as the two parties refused to participate – Fianna Fail also took a drubbing.

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At one point, after listening to the party’s TD Charlie McConalogue berate government policies, the veteran TV host exclaimed, “I cannot understand how you can make these criticisms. Fine Gael is simply following Fianna Fail policies. Fianna Fail laid down the strategy for dealing with the banking bailout and Fine Gael and Labour are merely following it.”

McConalogue made another mistake later in the debate saying, “the agreement with the Troika was negotiable,” thus contradicting what the public had been told by Fianna Fail that the deal under former Taoiseach Brian Cowen and Minster of Finance, Brian Lenihan, was non-negotiable. Browne was quick to make the point, “Your party said details of the agreement with the Troika were non-negotiable, yet now you say they were. Make up your mind.”

On the emotive issue of water charges, McConalogue – after much fudging said he would halt Irish Water and suspend water charges. Again, Browne responded, “Your party, Fianna Fail, already had a plan in place in 2010 to impose water charges, but now you’re saying you’re having second thoughts.”

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Browne, at his best as a current affairs host when pushing political guests for a clear-cut answer, didn’t let the lively capacity audience down, especially when badgering the four-member panel for their views on a potential coalition after the next election. Asked whether he would take a ministerial seat under a Fine Gael or Fianna Fail led coalition Sinn Fein’s Pearse Doherty seemed somewhat uncomfortable in his seat.

“That is a hypothetical question and such decisions are made at our party Ard Fheis,” he said finally, as if caught by surprise, but recovering. “What we have agreed is that unless water and property charges are dropped, we will not go into any coalition.” He acknowledged, “Some members have voiced their opinion that they would go into a coalition as a minority party. We are a party hungry for change, we are not hungry for power.”

When asked the same question, his Sinn Fein colleague TD Pádraig MacLochlainn was more direct, unhesitatingly replying, “I will not participate in a government led by either Fianna Fail or Fine Gael.” As if taking strength from this, Doherty later stated categorically, “If asked by a government led by Fianna Fail or Fine Gael to be a minister, I would refuse.”

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After chastising the two Sinn Fein members for not giving a straight ‘yes’ or ‘no’ answer, McConalogue himself began the dance of the slippery eel until, under bombardment from host and audience, he finally said, “I would not like to participate in a Fine Gael-Fianna Fail coalition but if I was outvoted by my party colleagues I’d have to go along.”

In his two-minute intro, Doherty said “four years ago we were promised a democratic revolution yet all we have had is more of the same with cronyism, stealth taxes and high levels of unemployment, no more so than right here in Donegal. There is a fairer and better way of moving forward and Sinn Fein’s job strategy can reshape this county.” He added that it was little wonder Donegal was known as ‘The Forgotten County.’ “I know Vincent you didn’t come here by train because this is one of only five counties in all Ireland without a mainline railway service.” Under an FOI request he said he has asked for a government paper produced on the future of small schools, adding that Donegal has the second largest number of such schools, with four teacher or less.

When corruption and lack of transparency within Údarás na Gaeltachta was brought up, including its refusal to release key information on its public spending such as lucrative pension payments to former executives which amount to half of its entire annual budget, Doherty said his party had tabled formal parliamentary questions on the issue, adding, “there should be full disclosure about people in receipt of high public pensions, it is important to have complete transparency so such payments can be scrutinized by the public.”

McConalogue said in his intro, “the last four years of government have been an attack on Donegal with post office closures, agriculture being hard hit and worsening heath services,” adding, “we have strong potential here but we need better infrastructure including the A5 project up and running and wider broadband.”

Referring to the pre-election catchphrase ‘Frankfurt’s Way or Labour’s Way,’ MacLochlainn said the government’s record has proved very different, “with a reduction in classrooms, budget cuts across the board and Donegal having the lowest allocation of medical staff of any county.” He added, “Donegal people are hard-working and passionate. All we’re asking is a fair chance and for Dublin to meet us halfway.”

Regarding the water charges, he added, “For thirty years, Sinn Fein has opposed these charges and now it has become the straw that broke the camel’s back. There has simply been too much austerity. Irish Water is a white elephant. My message is ‘scrap the water charges and go back to the drawing board.’ ”

While decrying the lack of proper health services and unfair stealth taxes, Independent TD Thomas Pringle said renewable energy had tremendous potential for Donegal as had the biomass wood industry. Speaking of Killybegs, he also said the fishing industry had been “hard-hit.’ He said water conservation should be a top priority because so much is being lost through poor network connectivity. He also said he was proud of challenging the bank bail-out through the courts and being in the forefront of water charge protests (continuing the momentum, a major ‘Right2Water’ protest took place earlier today – Saturday – in Letterkenny, with others elsewhere nationwide).

All four TDs, when asked directly, said they would vote ‘yes’ in the upcoming referendum on same-sex marriage.

Over the lively, two-hour event at the Clanree Hotel, there was no shortage of questions from the floor with periodic rambunctious catcalls, cheering and booing, which caused short stoppages and words of warning from the presenter.

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True to his word, Browne attempted to cover as many topics as possible such as equality, including the upcoming same-sex marriage referendum; family services, education, employment and health. Speakers ranged from parents of terminally-ill children; school teachers, social workers and community activists working on behalf of people as diverse as lesbians, gay, bisexuals, transgender, cancer sufferers, the disabled, and many others.

Some light-hearted moments and biting comments helped take the edge of emotions as when a thirsty Vincent Browne ran out of water and promised he’d even pay for some and when James Woods from Gortahork commented that with so much emigration, Donegal was turning into a wildlife refuge.

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All in all, ‘People’s Debate’ is an excellent initiative by TV3, no doubt demanding detailed planning to host such shows in all the constituencies of Ireland.

Fine Gael and Labour’s decision to spurn them, indicating fear and a lack of understanding of the difficulties facing ordinary people, could ultimately cost them vital votes in the polling booths.

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