Was Columba gay?

Thousands of euro of public money are pouring into diverse celebrations this year throughout Ireland to celebrate the life of a 6th century Celtic monk called Columba (or Colmcille) – a strange and elusive man we know almost nothing about.

Even though schools, community centres, Christian churches, local councils and other groups celebrate the 1,500th year of the mystical monk’s birth, no-one knows exactly when he was born. Nor do we know exactly where. We think it was Donegal but we don’t know for sure what part. We know he left Ireland for the Scottish island of Iona where he spent a good part of his life. But we don’t know the real reasons why.

Sitting on the Torr an Aba (Hill of the Abbott) in front of Iona Abbey where it is said Columba did most of his meditating.

We don’t even know for sure if Columba had a mistress, a wife, children, or indeed whether he was gay or bisexual like many of the monks of his time. (Celibacy was not compulsory then, monks/priests could marry and have families and homosexuality was not denigrated as it is today by the Catholic Church).

Nor do we know where Columba is buried. It was thought his bones (or at least the smaller ones) were wrapped up inside a wooden casket covered with silver and copper-alloy designs known as a reliquary and carried by Scottish soldiers at the Battle of Bannockburn where they famously defeated the English. But we now learn there was nothing in the box, which now sits behind a glass case wired to a sophisticated security alarm system in the National Museum of Scotland in Edinburgh and labelled as the ‘Monymusk Reliquary.’

Make no bones about it – Columba’s relics are not in the ‘Monymusk Reliquary.’

The reason we know so little about Columba is that while he and his followers attracted a worldwide reputation for penning and illustrating magnificent books of all kinds including the famous Book of Kells, there are no records whatsoever of Columba’s own personal writing, not even a simple diary.

So, how is it then we’re spending so much public money celebrating a man we know nothing about, indeed a man who was never even declared a saint, though most people think he was. Why would the Vatican canonise him anyhow? After all, the Celtic Christian church Columba represented stood firmly against the Roman version, battling tooth and nail for ultimate supremacy, that issue being eventually settled at the Synod of Whitby in 664 with Rome being the victor.

Who knows, perhaps Columba, a lover of herbs, specially St. John’s Wort, followed too many Pagan practices, maybe even believing in faeries, and his writings were wilfully destroyed by the powers that be in Rome.

This brings me to another man, a man of our time.

Dr. Brian Lacey relaxes at his rural west Donegal home in the shadow of Errigal mountain.

Lively septuagenarian, author, archaeologist and historian, Brian Lacey is an exceptional dinner guest. A fine raconteur with quirky views of the world, he’s a man at ease with laughter and story-telling.

And he has just penned his latest book, on a spin-doctor called Adomnán (or Eunan) who single-handedly raised Columba’s name to ‘the High Heavens’ by inventing a series of mostly fictional or at the very least, highly-exaggerated, stories about the founder of Iona Monastery and the ‘miracles’ he supposedly performed.

Rather than it being a selfless literary endeavour, Adomnán’s reasons for writing his book were directly linked to both politics and money. In raising the profile of Columba, he also raised the public profile of the community of monks on Iona that he presided over 100 years after its founder had passed on, thus no doubt encouraging new recruits to sign up and more money donated to the monastery’s coffers.

Meeting the man himself, academic celebrity par excellence.

Some in Ireland might use local slang and call Adomnán ‘a cute hoor,’ loosely translated as ‘a shrewd scoundrel, especially in business or politics.’ Probably he was, but he also achieved much more, as you can see from the article below I wrote for the ‘Donegal News’ recently.

New Book On Columba’s Spin-doctor 

By Sean Hillen

Hemmed in by mountains in Dunlewey near the Poisoned Glen under the shadow of Errigal, one might think Dr. Brian Lacey has taken on the life of a hermit.

Far from it.

Instead, the gregarious 72-year-old regales visitors with colourful tales from bygone days with the natural gift of a seanchaí, explaining the complexities of early medieval life in an easy, entertaining manner.

That, and his vast experience as author, historian and archaeologist, has made him one of the most popular speakers on the life of Columba (Colmcille), the famed monk born yesterday (June 9) 1500 years ago.

Brian’s latest book, one of 15 he has penned, is of particular interest to scholars as the first written in over 1,000 years about a key 7th century figure called Adomnán, who was responsible for launching Columba into the forefront of popular folklore.

‘Without him, Columba could well have been simply a tiny blip on the radar screen of history,” said Brian, whose book entitled Adomnán, Adhamhnán, Eunan: Life and Afterlife published by Four Courts Press was launched during the recent American Conference for Irish Studies. “Adomnán wrote Vita Columbae, (Life of Columba) over a hundred years after Columba’s death in 597 AD and in doing so ‘made’ him into the saint later generations would celebrate.”

The Vita is in three sections – Columba’s alleged ‘miraculous’ powers,’ his ‘prophetic foreknowledge’ and his ‘angelic visions.’ While Brian admires Adomnán for his life’s achievements, he acknowledges he was, “an astute spin-doctor pushing his own Christian agenda.”

“If I met him, I would share few of the same beliefs, most particularly his religious views, but I certainly acknowledge his accomplishments and skill,” he said about the 9th abbot of Iona in Scotland where Columba established his community. “He probably ignored any evidence that cast Columba in a bad light. Instead of a biography he compiled a work of hagiography to extol his spirituality. He also voiced his own political convictions and raised the prestige of the monastic federation – the Familia Columbae – over which he was leader.”

He adds that Adomnán, who was probably born close to Raphoe and studied at Drumhome monastery in south Donegal, even had Columba ‘ordain’ Áedán mac Gabráin, King of Dál Riata, reputedly the earliest recorded instance in European history of the Christian inauguration of a king. “The story fitted Adomnán’s belief in an ideal Christian kingship established in Ireland and Britain,” said Brian.

Brian praises Adomnán for having many ‘firsts.’ 

“He was first to draft a law – Lex Innocentium – for the protection of noncombatants in war, a precursor of the Geneva Convention,” he said. “He also wrote the oldest surviving ‘guide-book’ from western Europe about the Holy Land, De Locis Sanctis, (Concerning Sacred Places), including famous buildings, structures and relics. In it, he also introduced to the English a character who would later become their patron saint – Saint George.”

Brian also said Adomnán was the first to write about the Lough Ness monster, which makes its appearance in the Vita when Columba sees people burying a man savaged by ‘a water beast.’ Adomnán also gained fame as a hostage negotiator, helping free 80 prisoners held by the King of Northumbria.

Flying  high

Eldest of nine children and son of a train driver in Donnybrook, history was not Brian’s first career choice. Before the academic bug hit, he worked in air traffic control in Dublin and Shannon, earning around eight pounds a week, before leaving for Brussels and Paris.

But investigating the past was a pet passion and he soon left the security of the skies and hit the ground running, studying early and medieval Irish history at UCD, becoming a lecturer at Magee College in Derry in the mid-1970s. Brian later led a team of 35 people on a one-year archaeological survey of Donegal, the first project of its kind in Ireland. “This brought us to almost every field in the county,” he recalls fondly. “Four thousand sites, including an Iron Age barracks near the Barnesmore Gap and over two thousand sites dated before 1700 AD.” That project, completed in 1983, helped Brian become head of Derry City Council’s Heritage and Museum Service and director of the Dublin-based Discovery Programme. 

In his pursuit of truth in history, Brian is not averse to controversy. He considers the Christian tale involving saints Colmcille, Fionán, Dubthach and Begley at Cnoc na Naomh (Hill of the Saints) at Machaire Rabhartaigh deciding by tossing their croziers who should convert Tory islanders, to be rooted in Paganism. “This story emerged out of the cult of Lugh and his spear. Adoration of Lugh was widespread through Europe, but the Romans, then Christianity, killed that belief.” 

Having already written an earlier book entitled ‘Saint Columba His Life and Legacy,’ Brian is something of an academic celebrity at many events linked to Columba throughout this special commemoration year.

Published in the ‘Donegal News’

If you want to know more about skulduggery disguised as religion and furious political struggles between Celtic Christians and their Roman counterparts, read the excellent series of Sister Fidelma novels by Peter Tremayne (pseudonym for Peter Berresford Ellis, historian, literary biographer and novelist). 

Fidelma is a ‘dálaigh’ or judge in ancient Ireland, a sexy red-haired female version of Sherlock Holmes in a habit.

Intrigued by the reputation of this early Irish mystic monk known as Columba, I decided as a travel writer to head for Iona, the Scottish island where he established his community of like-minded people. Here’s what I found after landing on a little stony pier after taking the ferry from Mull last autumn, a massive, treacherous sea crossing that took all of five minutes.

Click on the photo to read the story

Interested in travel writing? Join me for a special workshop on April 10

While Ireland’s remote northwest corner may arguably be the gem of the Emerald Isle, being stuck here with a five-kilometre travel restriction during the wild, windy, wet months of winter has made me yearn to be on the road again.

As a travel writer used to new sights, smells and sounds, my forced stay-at-home lockdown has been even more difficult to handle.

Thankfully, that may soon end, with in-country travel probably permitted before June and international travel by mid-summer.

So, with Covid vaccines being distributed and the travel industry gearing up for business again, I thought it would be an enjoyable idea to share some of my experiences and host a special writing workshop for those interested in submitting their travel stories to newspapers and magazines. Or simply developing your own travel blogs.

Hungry for publicity but with little cash to pay for traditional advertising, hotels, museums, restaurants, airlines and tourism agencies will soon offer free ‘fam’ (or ‘familiarization’) visits to travel writers and bloggers. So there’s no better time to polish your writing skills and take advantage of them.

I’ve focused on travel writing for the past ten years and have been fortunate to enjoy ‘fam’ visits across Europe, the US and the Far East, to exotic countries as diverse as Iceland, Morocco and India. During that time, I’ve penned upwards of 500 stories, both short news pieces and longer color features, including those focusing on city and regional destinations, as well as hotel, restaurant and entertainment reviews. They’ve appeared in publications as different as The Irish Times, JustLuxeUpscale Living and Fodor’s travel books, as well as my own blog, World Itineraries.

Learning more about California’s spectacular forests from a regional manager of the ‘Save the Redwoods League.

Among my ‘Regional Destinations’ stories have been northern California and Jersey Island while ‘City Destinations’ have ranged from Washington DC to Montpellier in southern France to Ireland’s oldest city, Waterford.

Quirky features I’ve written have included a dreamlike stay among the mesmerising sand dunes of the Sahara Desert and a fascinating journey in the footsteps of Scotland’s most famous novelist, Robert-Louis Stevenson, author of ‘Treasure Island.’

Rome is awash with eye-popping art. Here is its Musei Capitolini, home to the Salon of Horatii and Curatii. 

Skills I learned working as a journalist for various newspapers in the US and Europe and later as foreign correspondent for The Times, London and The Daily Telegraph helped me develop new approaches to writing about places. What I learned is part of what I want to share during my workshop. 

Writing about a luxury spa on the coast of Gran Canaria a rustic Mediterranean island retreat or an elegant riad in the heart of ancient Fez has given me ample opportunity to tackle diverse subjects.

Crazy Horse cabaret in Paris combines brilliant choreography with a hint of cheekiness.

As for entertainment, I’ve written about such dazzling and spectacular cabarets as the famous Le Moulin Rouge and Crazy Horse in Paris and a dynamic salsa festival along Romania’s Black Sea coast, not to mention music and theatre venues from Boston to Barcelona.

My practical, two-hour travel writing workshop, which will take place on April 10, will focus on some of the following subjects.

Room with a View, Columba Hotel – Iona island off the west coast of Scotland offers much in the way of meditation.
  • Key elements of travel articles, from destination features to hotel, restaurant and entertainment reviews;
  • Starting a blog;
  • Effective strategies for research;
  • Writing winning pitches to editors;
  • Critiquing your own travel writing stories.

Come join us and learn the ‘write’ way to see the world. Join the Virtual Travel Writing Workshop.

And don’t forget to enter your travel story or memoir in this new competition, WAWA Love Competition, 1,000 euro prize money for 500 words.

Finding Nature Right Before Your Very Eyes

Was asked to write a short essay for ‘Ireland Writing Retreat’ on its latest ‘Wild Atlantic Writing Awards’ offering 1,000 euro in prize money, 500 words maximum, flash fiction and creative non fiction, deadline December 10, with Nature as a central theme.

Before discussing the important role Nature can play in setting scene, mood and suspense in creative writing, let me confess a couple of things.

First and foremost, I’m married to someone who in a previous not-too-long-ago era might have been accused of witchcraft, perhaps even tied to a stake and burned on a pyre for her beliefs and her potions – basically for her comprehensive understanding of Nature.

My wife is a medical herbalist. Here is a video of her beloved garden.

Secondly, I am one of those lucky people who happens to live in what I modestly describe – to plagiarise the Carlsberg beer commercial (which was probably plagiarised from somewhere else) – as ‘probably the most beautiful place in the world,’ plum on the picturesque ‘Wild Atlantic Way’ on the northwestern coast of Ireland. A place known as ‘the Forgotten Land.’

As such, it is easier for me than for many other writers to access relevant information on Nature either through what I’ll lovingly call ‘pillow talk.’ Or simply by gazing out my front living-room window across to the forest, over the turf bogs, past the mountains and down to the ocean and the basket of islands that nestle snugly quietly below (what, you don’t believe me – well then, have a look at this.

So, integrating Nature into my novel ‘Pretty Ugly’ was less due to the power of my imagination than the power of my senses, mainly seeing, hearing and smelling. And to a great extent, feeling, using my heart-brain.

That being so, I’d like to share with you some of the instances in which I relied on Nature to help me encourage a certain mood or expectation in my readers.

I hope this will encourage you to enter this edition of the Wild Atlantic Writing Awards (WAWA). It’s a lovely autumn writing challenge. And remember: deadline is coming soon, midnight, Thursday, December 10th.

CURIOSITY AND INTRIGUE

“Ernie turned, moving upwind towards the abandoned houses, the bog moss soft underfoot, brown water oozing out from under his heavy boots with every step. He felt strange, as if he was trespassing on sacred ground, walking a place he didn’t belong to anymore. In the distance, he could see fog approaching, a fluffy gray pillow rolling gently along the sky. He watched it creep silently landward. It was as if the floating mists carried wisps of memory curled in their spidery nets. As if ghosts were coming ashore. Out at sea, in the caesura between waves, an eerie lull lurked. He remembered the wailing winds and the loneliness. He shrugged off the thought. He wouldn’t stay long. A quick check things were fine. He’d promised. Then he’d be gone. He took a folded sheet of paper from his coat and opened it. Two lists were typed neatly on it, one on each side. He scanned the first – ‘Arthropoda – cockroaches, millipedes, termites, earwigs, crab-spiders, grasshoppers, dragonflies.’ He flipped the paper over. ‘Lower Invertebrates – ribbon worms, mussels, anemones, hydra, jellyfish, slugs, limpets, cockles, moss animals, abalone.’

Above him lay a menacing sky. He had to be up at the house before dark. He’d promised Patricia. He fingered the keys in his pocket. He felt trusted but an inexplicable sense of apprehension rushed over him, of events out of his control. Secrets were hard to keep around here.”

excerpt from ‘Pretty Ugly

SUSPENSE/FEAR OF THE UNKNOWN

“Below, a band of mist stretched across her vision etched with tiny lights blinking like stars indicating the whereabouts of scattered homes among the hills. The silhouetted slopes of Errigal and Muckish mountains loomed around her, their respective pyramid and bread-loaf shapes barely recognizable in the gloom. Beyond lay the endless sea, its constant ebb and flow the sound of a slumbering giant snoring softly, each rhythmic breath, she imagined, blowing a ripple of surf along the surface of the water. The dark humps of Gabhla, Inis Oirthir and Inis Meain islands lay in a disheveled cluster, mismatched jigsaw pieces, their jagged edges like fingers reaching valiantly out to each other.

Trees swayed beside her, their branches waving to and fro maniacally as if delivering a dire warning, ‘Stop, go no further, go back, go back…before…’ She felt goose pimples form on her arms and started to shiver, the damp seeming to enter her very bones. She felt a sudden urge to rush back to the house but when she turned the house had melted into the fog, which had grown denser and was billowing all around her. It seemed as if she had stepped into a limbo, a non-man’s land between the living and the dead. She stopped nervously in her tracks listening, sensing a presence nearby. But there was only the groan of the wind, the smack of raindrops splashing against leaves. She started walking again but felt ever more disoriented in the fog and was forced to stop every few minutes to avoid sliding into the deep ditch that ran along the side of the road.”

excerpt from ‘Pretty Ugly

IMPENDING DOOM/TRAGEDY

“He raised his hand slowly to the thing stretched across his cheek. It felt spongy, string-like. He brushed it off then tried moving his other hand but jolts of excruciating pain shot through him almost making him black out. With sheer willpower he remained conscious staring into the gloom. Within minutes, his eyes began to decipher vague shapes and forms. Stones, rocks, weeds. A desolate terrain bereft of bushes or trees. To his fevered mind, it seemed a futuristic, post-Armageddon world. His eyes fell upon the spongy substance, recognizing it for what it was – a clump of sphagnum moss.

Then realization dawned: he was lying in the middle of a bog. He could feel it under him, soft as if alive, clasping him closer. Thinking back as to how he had got here his mind conjured up a series of fast-moving images as if on a film spool. A woman’s sad face; raised voices; a slammed door; heavy rain; tendrils of fog; screeching brakes; the world turning upside down; pain. Then nothing. Feelings rushed at him snarling like rabid dogs foaming at the mouth – guilt, fear, loneliness, an abject sense of failure.

Feeling a tugging sensation from behind, he turned his head slightly. A thick swathe of mud had encased itself around his legs, just below his waist. It clung to him tenaciously like wet cement. Then he felt the tug again. Was there a reptile below the surface pulling at the cloth of his pants? The sinking sensation made him stiffen but he couldn’t muster the strength to pull himself out. The more movement he made, the more pain he endured, the more he was being sucked in. The viscous mud itself was dragging him slowly downwards into it.”

excerpt from ‘Pretty Ugly

ACTION

“Yanking open the door, he strode purposefully outside, the sudden chill making him shiver.

The storm had gotten worse, matching his mood. Clouds as black as ink. Rain pelting down as if heavens’ drains had opened. Fog as thick as cement draped the coastline, blotting out buildings, fields, islands. He could scarcely see his car standing in the driveway. A blustery wind howled around him, plastering his hair in a wet mess against his forehead. Impatient to put miles between him and this brooding place, he twisted the ignition key sharply, stamping down hard on the pedal. The tires squealed, tossing up gravel. He didn’t care. There wasn’t too much he cared for anymore. Past memories, present frustrations, they made for a potent cocktail. He careened out of the driveway, the car slipping and sliding on the muddy ground. Then he was on the steep slope leading down between the bogs, Patricia fading into his past with each passing second.”

excerpt from ‘Pretty Ugly

INTROSPECTION/GUILT

“A line of hefty oak trees bordered the road, a battalion of soldiers keeping intruders out of the ancient turf bogs beyond, but these gradually gave way in the glare of the headlights to straggly bushes like war-weary remnants of a bedraggled army in retreat, then to stunted patches of grass and reed. Sturdy drywalls that had defied a thousand storms and the bone-chilling winds sweeping across the Atlantic seemed to retreat now in the glare of his headlight, leaving behind a sullen emptiness, a bitter, forlorn landscape that matched his mood.

Questions rushed at him, tormenting him, reminding him of feelings he thought he’d buried deep inside. It was as if his heart had been ripped from his chest and tossed raw and bleeding into the cold, wetlands around him where it lay inert and shapeless. The mask of hope he’d dared to wear upon entering her home had been torn asunder and cast into the billowing waves below. And the awful, gut-wrenching truth that whatever he’d tried, whatever efforts he’d made, he’d failed, rushed at him, drowning him, sucking his emotions in a downward spiral. Then a sudden realization dawned. It wasn’t Patricia he was hearing. It was the ghost of Maria. Taunting him, blaming him, accusing him of not caring enough to believe in anything. Or was it just himself, refusing to forgive himself for not being there for her? And now, here he was. Running away yet again.”

excerpt from ‘Pretty Ugly