New writing competition – almost 3,000 euro worth of awards

If you like writing, please take note – a new competition in northwestern Ireland offers around 3,000 euro worth of awards, for just 500 words.

With the coronavirus outbreak forcing many of us to stay home, Donegal-based ‘Ireland Writing Retreat,’ at which I am co-founder and tutor, decided this was a good time to launch its first-ever competition, with key prizes for winners.

Welcome to the inaugural ‘Wild Atlantic Writing Awards’ (WAWA), a competition that we hope will provide challenge, diversion and enjoyment for you as a wordsmith in the strange times we live in right now.

After much brainstorming, it was decided the competition should reflect the nature of ‘Ireland Writing Retreat’ itself and what it has focused on over the last five years of operation.

The conclusion: not one, but two, separate competitions: fiction and creative nonfiction.

woman in gray sweater sitting on wooden floor typing on portable computer

Photo by bongkarn thanyakij on Pexels.com

Flash Fiction Award

The fiction writing competition is open to all genres – sci-fi, crime, romance, horror, humor, thriller, mystery, whatever tickles you and your Muse’s fancy. And it is in the form of flash fiction, a field growing rapidly in popularity.

To add spice to the idea, there is a single theme.

After many hours of debate, we realised the perfect one was staring us right in the face.

Writing itself.

In other words, upon reading competition entries, judges are left in no doubt that a key element in your story is linked in some way to writing itself. For example, one of the characters, human or non-human, could be a writer. Or a piece of writing could play a key role in the story. Let your imagination be your guide.

All you have to do is pen a flash fiction story in any style or genre focusing on the act of writing, in any way, shape or form, up to a maximum of 500 words.

PRIZE

The winning entry will receive 500 euro in cash.

And more.

An added bonus of 990 euro in value in the form of free participation* – including all excursions, by land and sea, food and drinks tastings, concerts and dance performances, and all writing workshops and author talks – at one of our retreats of your choice, either this autumn in either Paris or Donegal, or one of our retreats next year.

In effect, a total prize equal to almost 1,500 euro.

Plus, with the writer’s permission, the winning entry will be published on the ‘Ireland Writing Retreat’ website, with short bio and photograph. The writer retains all copyright to her or his work.

sad elderly man writing on brown notebook

Photo by Andrea Piacquadio on Pexels.com

Creative Nonfiction Award

As for our creative nonfiction competition, we offer you a similar challenge.

To write a story of not more than 500 words on any subject – whether it be in the form of memoir, profile, literary journalism, personal essay, travel (and remember, award-winning travel articles don’t have to be about exotic destinations, it could be about your own hometown), food, or any creative nonfiction category you prefer.

PRIZE

The winner will receive 500 euro in cash.

And more.

An added bonus of 990 euro in value in the form of free participation* – including all excursions, by land and sea, food and drinks tastings, concerts and dance performances, and all writing workshops and author talks – at one of our retreats of your choice, either this autumn in either Paris or Donegal, or one of our retreats next year.

In effect, a total prize equal to almost 1,500 euro.

Again, with the writer’s permission, the winning entry will be published on the ‘Ireland Writing Retreat’ website, with short bio and photograph. The writer retains all copyrights to her or his work.

Grab this golden opportunity to unleash your creative abilities during this period of restrictive ‘social distancing’ and emerge a happy winner.

Enter now the Wild Atlantic Writing Awards.

*See full terms and conditions.

New Irish Government was decided BEFORE the elections

Weeks before the recent Irish election was even announced and long before the first votes were cast, representatives of Fianna Fail and Fine Gael met behind closed doors to cut a deal, with one solitary aim in mind – to keep Sinn Fein out of government.

At the same time, generously funded by major corporations, banks and developers, highly-paid public relations specialists in the pockets of these two same political parties were instructed to create what’s known as a ‘news camouflage.’

To avoid any fall-out from someone learning about these secret meetings, they spun a story through a web of overly acquiescent Irish media that these two political parties would instead discuss forming a coalition with other minor parties.

irish elections, elections in ireland

Coalition terms were discussed on behalf of these two men by their representatives BEFORE the Irish election was even announced.

It is a well-planned and co-ordinated charade to create a facade of democratic fairness.

Among those most wanting Sinn Fein side-lined at all costs was Jim O’Callaghan, wealthy Dublin barrister, senior counsel and Fianna Fail’s justice minister, a man who only managed to get elected on the eighth (8th) count, beaten by Sinn Fein candidate, Chris Andrews.

O’Callaghan is brother of millionairess and RTE presenter Miriam O’Callaghan who infamously grilled Sinn Fein leader, Mary Lou McDonald, on a pre-election ‘Leader’s TV Debate’ on – guess what – justice issues.

In doing so, she used an archaic 13-year-old audio report excavated from deep within the archives of the BBC as a weapon. It may come as no surprise to many whom Miriam’s husband, Steve, works for.

Yes, you guessed right. The BBC.

The O’Callaghans, like many wealthy people in Ireland today, would be required to pay a little more in taxes under a Sinn Fein led government, with loose tax avoidance loopholes used by many rich people closed. These taxes would help close the gap between rich and poor and ease the housing, health and education crises mainly affecting working-class people.

Reflecting growing popular interest in the economic inequalities in Ireland, a blog I wrote before the elections on the O’Callaghans attracted a massive 20,348 views from readers in just one week. More than 2,000 readers every single day.

 That being said, here is my prediction.

Within the next two weeks – after demonising Sinn Fein as a ‘cult’ through a slick and expensive media campaign (thus demonising half a million Irish people who voted for that party), Fianna Fail and Fine Gael will announce a new Centre Right government.

The word ‘change’ will be sprinkled liberally throughout their joint manifesto and media interviews and they will announce they ‘have put aside their differences —- in the interests of the country,’ thus positioning themselves as some kind of ‘national saviours.’ 

Sinn Fein President, Mary Lou McDonald, won more votes for Prime Minister than both existing PM Leo Varadkar and Fianna Fail leader, Micheal Martin.

I predict this development with sadness, but with confidence gleaned from 40 years of journalism experience in Ireland, the US and mainland Europe. 

And on this election issue, I’ve got things right so far.

I predicted Sinn Fein would get more than 30 seats.

I predicted the five politicians who would be elected in my own constituency of Donegal

I predicted Pat the Cope Gallagher, a Fianna Fail member of parliament for 40 years, a man with whom I had a public run-in would lose his seat, with many people telling me such a prediction was like Manchester United being relegated from the Premiership.

With the Cheltenham races coming up, perhaps I should make a few big bets for I even predicted the following two weeks ago in my blog –

“… on voting day tomorrow (Saturday), will the final outcome be any different from that over the last 100 years? Sadly, regardless of Sinn Fein receiving a well-deserved boost, hopefully above the 30 mark, I don’t think so.

If past results are anything to go by, we will remain with a Centre Right majority that kowtows to wealthy individuals, major corporations, banks, vulture funds and major land developers offering tax breaks and other incentives. A coalition that steadfastly fails to rectify the growing, severe inequalities in social life here.”

The truth is simple. Fianna Fail’s Micheal Martin wants to be Taoiseach, Fine Gael’s Leo Varadkar still wants to be in Government. And they both need to pay back their rich sponsors, both individuals and corporations.

Such was the huge turnout for this week’s Sinn Fein public meeting at Dublin’s Liberty Hall, site of many famous events hosted by socialist leaders such as 1916 Revolution leader James Connolly, people were addressed both inside and outside the Hall.

As they prepare to announce their Government, it is important to point out the following for context: 

*Sinn Fein elected 37 TD’s, out of 42 candidates;

*10 Sinn Fein candidates topped the polls;

*27 Sinn Fein candidates were elected in the first count.

*Sinn Fein doubled their vote in Dublin;

*Sinn Fein president Mary Lou McDonald won more votes last week for Prime Minister than both the present PM Leo Varadkar and Micheál Martin; 

*Sinn Fein’s Dublin West candidate, Paul Donnelly, elected in the first count, beat Leo Varadkar, who only got elected in the fifth count, the first time in Irish history a Prime Minister has lost his own constituency;

* Sinn Fein candidates in my constituency, Donegal, were both elected on first counts – Pearse Doherty with 21,044 votes, 8,000 over the quota, and Pádraig MacLochlainn, with 13,891 votes, a massive 45% of the total vote;

*Sinn Fein’s candidate in Clare Violet-Anne Wynne who received just 385 in the local elections, won over 10,000 votes in the national ones;

*Sinn Fein candidate Johnny Mythen won in Wexford, the first time in 100 years the party has won a seat there;

*Sinn Fein won 45,614 votes, a mere 2.5% of the total in the 1997 election. In 2020, that transformed into 535,595 or 24.5%;

Is it any wonder the O’Callaghan’s and wealthy people like them are fearful.

And so sadly it seems are the Irish media which, displaying its Right-wing bias, has failed miserably to fulfil its role as the Fourth Estate, to serve and protect the public interest.

It refused to report on the emerging banking crisis under Fianna Fail’s watch that left Ireland bankrupt and at the mercy of the IMF and it is now refusing to report the real reasons Sinn Fein is being excluded from Government.

Gifted Donegal women host music concert for worthy cause

Death is rarely asked to sing.

But a group of immensely talented women Friday night at Amharclann theatre in the Donegal Gaeltacht invited it to join them – transforming it into a celebration of life, community spirit and artistic triumph.

Devoted to Fiona Carr, popular singer and dancer who fell victim to cancer at the young age of 30 and others like her who bid their last farewells under tender care at the Donegal Hospice, local performers known as the ‘Wild Atlantic Women’ gathered together for a heartfelt musical tribute.

wild atlantic women concert, live music donegal, donegal women singers

And what an uplifting evening it turned out to be.

Regardless of your favorite musical genre, this special concert seemed to have it all – soul and folk, traditional and country, the popular and the newly-penned.

Lead organiser, teacher-multi-instrumentalist-singer-cum-songwriter Brí (Brighdin) Carr with many local female musicians have already raised more than 15,000 euro for Donegal Hospice and the Oncology Department in Letterkenny University Hospital through such events and a double CD.

Few better ways to open such a concert than this admirable group of women together in harmony led by Emma Ní Fhioruisce, Maria McCormack and Bernie Doherty on the haunting folk ballad ‘Caledonia, the unofficial anthem of Scotland written by singer-songwriter Dougie MacLean.

And few better ways to end it than their touching interpretation of ‘Grace,’ written by Frank and Seán O’Meara, telling the tragic story of Grace Gifford who married Irish rebel leader Joseph Mary Plunkett, in Dublin’s notorious Kilmainham Gaol shortly before his execution by firing squad in 1916.

Between these songs, an appreciative audience enjoyed two hours of inspiring entertainment by women, young and old, who displayed remarkable vocal range and musical prowess, drawing a standing ovation for their efforts.

With so many highlights, it’s impossible to describe them all, but here’s a flavour of the evening –

Noeleen Ní Cholla, Gaoth Dobhair-based award-winning sean nos singer-songwriter-instrumentalist, whose angelic voice can be heard on her album ‘An Mhaighdean Mara,’ performed pitch-perfect the Irish-language version of ‘Somewhere Over The Rainbow,’ the ever-popular song written for the 1939 film The Wizard of Oz. How she managed to reach those high notes is beyond me.

 

Glasgow-born singer, guitarist and lawyer, Jacqui Sharkey, with three albums already to her name, sang ‘Never Be The Sun’ by Donagh Long from Cork. Recorded with her friend and fellow singer Caitlin Murtagh from county Down, and produced by Pat Gallagher of ‘Goats Don’t Shave’ fame who also plays guitar backing. This song will be officially released on February 28 and a video aired on Sky TV this week.

On keyboards, Brí Carr, who founded Blue Ribbon, a performing arts group for children, sang a song she wrote, simply entitled ‘Home,’ as well as a duet with Claire Ward called ‘Second Violin,’ by Irish band, Bagatelle, one Fiona Carr herself recorded aged 14 for Blue Ribbon.

‘H.o.m.e,’ Brí’s next album will be released in May. Her song, ‘Árainn Mhór,’ was the first iTunes chart song as Gaeilge in the Top 200 in Ireland, peaking at number 3. Bubbly Brí, who keeps a ‘big blue book’ of songs she has composed over the past 25 years, also participated in ‘South Of The Border’ festival in Ardara this past weekend. Her first album, ‘Full Circle/Rotha an tSaoil,’ is on iTunes and Spotify. Bernie Doherty sang a beautiful rendition of the wistful ballad, ‘Who Knows Where the Time Goes?’ by English folk-rock singer Sandy Denny. Bernie is now involved in the formation of the ‘Choir of Ages’ its members ranging in age from 5 to 80.

Accomplished pianist and keyboardist, Kelli Nic Ruaidhri,  from Fanad who teaches in Ballinamore and supported many of the songs on the evening, also sang ‘Sanctuary,’ which she translated into ‘Beidh mé Ann.’

 

Maria Mc Cormack’s contributed to the evening’s success with a song about her own personal experience of lost love. Entitled ‘Stratford to Stansted,’ about someone moving away to London for work, it will feature on her second album, her first being, ‘I Choose To Love.’ Aside from gigs this year in Slane (Purple Sessions), Drogheda (Fireside Festival), and even a St. Patrick’s Day festival in Germany, Maria will also play at the Letterkenny Jazz and Blues Festival on July 4th Maria has set up a fundit page to help support her upcoming recording.

Looking like a sultry Marilyn Monroe in black silk on stage, Rachel Akkoç, actress, singer and member of the Letterkenny Musical Society, transported listeners to a smoky uptown New York nightclub with her soft, seductive interpretation of soul song ‘I Know Where I’ve Been’ from the musical ‘Hairspray.’

Highlighting the difficulty of ‘letting go,’ and having special meaning for me as my mother died last week, Clare Ward sang ‘Reflections’ in remembrance of her friend Manus Kelly, killed tragically last year in the Donegal International Car Rally. Claire’s album is called ‘Bite the Bullet,’ an eclectic mix of folk, Celtic and easy rock music. Recent solo recordings include ‘Eye of the Storm,’ and ‘Remember,’ about a friend’s journey with Alzheimer’s.

Last but certainly not least were what could best be described as ‘the Little (Wild Atlantic) Women’ – girls, aged six and upwards, namely Caela Carr, Siofra Harvey, Clodagh Mooney, Mia Clarke, and Hannah NicPhaidín, all award-winning singers and musicians. They drew enthusiastic applause from the audience with a rousing medley that included ‘I Wish I Had Someone To Love Me,’ ‘Rós na Seirce,’ “Christmas Letter,’ ‘Fear a’Bhata,’ ‘Angels Among Us,’ ‘Liom Féin’ and finally, ‘Home To Donegal.’

Other excellent singers included –

Trish Rodgers, whose albums include ‘This Is My Island,’ ‘Home Sweet Home’ and ‘The Gold Collection’ – singing, ‘Donal Óg.’

Deirdre Bonner, whose albums include ‘Remember When’ and ‘Atlantic Bridges’ – singing, ‘Come All Ye Fair And Tender Ladies.’

Maria McCool, whose albums include ‘Ailleog, ‘Doagh and ‘Shenandoah’ – singing ‘Teddy O’Neill.’

Gearóidín Breathnach, a leading sean-nós singer, whose album is ‘Ar Fhoscadh na gCnoc‘ – singing ‘Anseo I lár an ghleanna.’

and the velvety-voiced Emma Ní fhioruisce from Gaoth Dobhair – singing ‘Ar Ais go Gaoth Dobhair.’

 

Kudos to Áine Ní Churrain (Barrscéalta Raidio na Gaeltachta) and Karen Gallinagh (Speech and Drama Federation Ireland) who acted as excellent MCs and to Serenity Hair & Beauty Salon Gweedore which donated a 200 euro voucher to a lucky raffle winner.

Appreciation poured in for the artists –

A great night had by all at the Valentine’s night concert by the ‘Wild Atlantic Women.’ We had a fantastic time. Such a talented group of singers and for such a worthy cause as the Donegal Hospice.” Simon Smith, Letterkenny, professor of nursing.

wild atlantic women, live music donegal,

Friends obviously having a good time at Amharclann.

I thoroughly enjoyed the ‘Wild Atlantic Women’ concert in the Amharclann, Gaoth Dobhair. It was an eclectic mix of musical genres, excellent song-writing and inventive reworking of older songs. A great night’s entertainment.” David McNally, librarian and researcher.

A great mix of talents, and all age groups, both languages, and the modern and the traditional. Agus neart craic! I particularly enjoyed the translated songs such as Maria Nic Cumhaill’s ‘Grace’ and Noleen Ní Cholla’s ‘Thar an Tuar Ceatha’(Somewhere Over The Rainbow). Given the night that was in it, we had love-songs and songs of unrequited love such as the haunting and ancient Dónal Óg, Thíos i Lár a’Ghleanna and a new song about love lost to modern day emigration.
Well done ‘Young and Tender Ladies’ of Donegal (one of ballads sung on the night) for sharing St Valentine’s evening and helping an important cause. Having the CD, I can now enjoy it all again.
Reuben Ó Conluain, retired teacher Dún Laoghaire and Machaire Rabhartaigh

Sabba Curran, gola boat ferry, gola island ferry

Sabba and Patricia Curran getting settled for an evening of music and song.

A wonderful night of entertainment, so many talented singers and musicians on stage at one time. Truly memorable.” Sabba Curran, Captain of ‘The Cricket,’ Gola Island ferryboat.

Festive tribute to the creative, artistic people of Donegal

Getting kissing techniques just right for on-stage credibility, takes practice.

Ask director-cum-teacher Máire Ioannidis.

She’s taught loads of people how to do it, her latest challenge being in the recent production of the musical ‘Hairspray’ by students at Pobalscoil Chloich Cheann Fhaola at Amharclann theatre in Bunbeg recently.

“Where do you put your hands, your arms,” she explained to me during a conversation after the Donegal Gaeltacht’s school’s triumphant, four-show run attended by more than a thousand people. “What side do turn your head to kiss, if you both turn the same way heads, noses may bump together, hardly an authentic and romantic sight to behold.”

That was only one of many challenges facing Máire and her team in the ambitious production. Capacity crowds and standing ovations are testament to the fact that they got them all right, including directing sixty-six teenagers.

Tickets for all productions were like gold-dust, with friendly Amharclann general manager, Manus O’Domhnaill, saying the shows provided a record attendance for the historic theatre, which was established in 1961 and reopened after major renovation more than a year ago.

Speaking about ‘Hairspray,’ Máire said proudly, “This particular musical holds a special place in my heart, a story about an amazing opportunity that turns a vision into reality. And I thoroughly enjoyed working with our talented students who showed commitment, energy and enthusiasm throughout. Unlocking their confidence, seeing them grow and perform on stage each night along with watching their joyous celebrations and a shared team attitude of ‘we did it!’ at the end of each show made this whole experience very worthwhile.”

‘Hairspray’ is an American musical with score by Marc Shaiman and lyrics by Scott Wittman based on John Waters’ 1988 film. Winner of eight Tony Awards, including best musical, it focuses on efforts by a dance-loving teenager to bring racial integration to a popular TV show in 1960s Baltimore.

Having gone to watch several productions of ‘Hairspray,’ in other theaters, Máire and her team then created several unique extras to their production. These included performers surprising audiences by entering from different doorways at Amharclann and a scene in which a chorus of singers walk through the aisles holding candles singing, then sitting on the floor among the audience.

Set changes were accomplished professionally with the aid of lighting, for example, from an ordinary living-room scene complete with ironing-board and TV to that of a prison cell, in which the lead performer, Róisín Doogan, playing Tracy Turnblad, has been incarcerated.

From the get-go, the opening song and dance routine ‘Good Morning Baltimore,’ this production leaped along in vibrant bounds with other complex choreography and songs including a powerful renditions of ‘Big, Blond and Beautiful,’ ‘Mama, I’m A Big Girl Now’ and ‘It Takes Two’ spiced with comedy and sentiment.

“PCC’s production of ‘Hairspray’ was full of energy from beginning to end,” said Eoghan Mac Giolla Bhrighde, a well-known actor who was in charge of lighting for this show. “Their singing was lively and it was excellently choreographed. It was well cast and they all portrayed their character effortlessly. Their drive and enthusiasm was palpable, students and teachers alike. “

Máire herself is no stranger to the arts, being a member of local acting group, Aisteori Ghaoth Dobhair, and an accomplished flute player. She also directed a school production of ‘Grease’ for two consecutive years. Of Gweedorean-Greek parentage, Máire has worked at Pobalscoil Chloich Cheann Fhaola for the last four years teaching a mix of Irish language, IT and business.

Aside from the versatile student actors and singers, full credit goes to crew, some of whom were also students, and senior production members including producer Donna Coll; choral director, Siún McDermott-Lyng; choreographer, Maureen Byrne; audio Noel Boylan; set construction, Joe Coll, Christopher Symth and Manus Gallagher; costumes, Mairead Harkin McGee and Siobhan Doogan. School principal, Maeve Sweeney and her deputy, Donna McFadden, said they were “over the moon about the show’s success.” Profits went towards various school expenses.

Coming up soon at Amharclann is its annual pantomime, this one entitled, ‘Leipreachán an Phota Mhóir.’ With Eoghan Mac Giolla Bhrighde involved, both on and off-stage, it’s bound to be a beauty. Don’t miss it! January 24-26 and January 30 to February 1.

The Amharclann and student actors and production crew at Pobalscoil Chloich Cheann Fhaola are only the tip of the iceberg of creativity throughout the Donegal Gaeltacht. Throw a stone and you’re likely to hit a painter, a musician, a sculptor, a yoga teacher, a hypnotherapist, a novelist, a poet, a psychotherapist on the head.

Consider the wondrous wealth of talent coming up beginning tomorrow at the Scoil Gheimhridh Ghaoth Dobhair, the Gweedore Winter School beginning tomorrow (Friday) –  http://scoilgheimhridh.com/

Also, please read previous blog on this site on an issue vitally important for everyone living in Donegal.

And check out ‘Ireland Writing Retreat’ https://www.irelandwritingretreat.com/ and my novel, ‘Pretty Ugly,’ linking Donegal and the United States https://www.amazon.co.uk/Pretty-Ugly-Sean-Hillen/dp/1523361158

Helluva commotion going on in Donegal over lovable little oysters

Oysters, those soft, jelly-like little creatures that are (to some people) delicious to eat and ingeniously produce glittering pearls, are causing some bother in Ireland, especially in Donegal – or at least the greedy corporations hunting them for profit are.

And it seems the partnership government of Fine Gael-Fianna Fail and its back-up civil service are doing their utmost to prevent concerned local communities from doing anything about it.

Sitting at a public meeting this week at Falcarragh Community Centre focusing on these issues, these were the thoughts that passed through my mind as I listened to speaker after speaker give their views on controversial shellfish farming practices at Ballyness Bay near the town of Falcarragh on the ‘Wild Atlantic Way’ in the Donegal Gaeltacht they consider are polluting and defacing the lovely, pristine scenery.

John Conaghan, spokesperson for the ‘Save Ballyness Bay’ committee, said four jobs would be created through aquaculture while more than 250 would be created via tourism, therefore “we should be protecting our area environmentally.” He also complained his committee had been denied inaccessibility to certain details, sometimes entire documents, pertaining to official comments made by both Donegal County Council and Údarás na Gaeltachta.

“An official comment from Donegal County Council stated that there would be no visual impact, but the document was simply signed by a clerk,” he said. “I’ve spoken to many councillors and nobody seems to know who authorized the comments. No visual impact? Maybe, lads, you should go to Specsavers.”

Politician after politician, both local and national, including TDs, Sinn Fein’s Pearse Doherty and Fianna Fail’s Pat the Cope Gallagher, told around 200 concerned people that they were unable to access key information relevant to the situation.

John Shéamais Ó Fearraigh Sinn Fein local councillor and Údarás na Gaeltachta board member said he would try with whatever powers he had to obtain the information required from the council and the Irish language organization. “I will do whatever I can to help,” he said.

Fine Gael local councillor, Michael McClafferty, said he had submitted questions to the local council but had not received any answers. “It looks as if we are being thrown under the bus,” he added.

The proposed shellfish scheme could cover more than 46 hectares of sea coast in the scenic Gaeltacht region, with bags on steel trestles containing millions of oysters, with sediment accumulation beneath them and large-scale congregation of dead shells, committee members said. Licenses for 20 hectares of oyster beds have already been granted, with one site alone being over 10 hectares.

Committee member, Caitlin Ni Bhroin, said “no cost-benefit analysis has been produced for us to see” and licenses have been granted on “unsound scientific criteria, including the idea that oysters are healthy water filters, but they actually emit waste.”

Conaghan said there were many contradictions in the government’s approach. “While it granted licenses for shellfish farming, Ballyness Bay is not designated a shellfish area, but it is a special area of conservation.” He said Inland Fisheries Ireland declared the bay a valuable fishing asset.

“We are against all oyster harvesting in Ballyness Bay, such activity will damage eco-tourism, which could bring much-needed jobs,” he said. “Gaps, mistakes and assumptions sums up the government’s approach. If community concerns had been addressed properly, we’d not be standing here talking.”

He said the ‘Save Ballyness Bay’ committee was being assisted by Belfast-based Pat Finucane Centre.

Commending the committee on its efforts, Sinn Fein’s Pearse Doherty stated clearly, “My firm belief is that this scheme is anti-community and the application process is not fit for purpose, they are not being given properly and there is a lack of clarity.” He said three years ago he had sent a letter to the relevant ministry and department questioning the decision process, adding “construction cannot begin until all appeals have been heard, which could take several years.”

Being a long time, staunch member of Fianna Fail, part the ‘partnership government,’ Pat the Cope Gallagher, was obviously in a bit of a conundrum. While he offered to find out more information and report back to committee members, he went into a bit of a tantrum when I asked him to say ‘yes or no’ whether he agreed with the ‘Save Ballyness Bay’ committee’s views.

Now, credit being given, Pat is a wily politician, that comes with being forty years and more in politics. Maybe I spoke harshly when I said that his spiel was (to quote myself) “pure politics, filled with generalities and trivialities.” That he took offence was his right. That he tossed the microphone down (as someone said, “like a baby throwing out its dummy-tit”) is also his democratic right.

But he still didn’t answer my question.

Instead, he said previous situations had occurred near his home in Dungloe similar to the one at Ballyness but he “didn’t get involved in them,” but said he did pass on letters he had received from local people to the relevant minister.

At the meeting, two members of Aontú pledged their support, with one young member saying as the shellfish farms were adding to the carbon footprint, people had a right to know more.

Local resident, Mary Attenborough, said while a proper environmental impact study was required, so-called experts were all vetted by the government, and that bias might occur in their reporting.

Committee members were still unsure if licenses already granted were strictly non-transferrable.

One challenge facing the committee is the expense involved in appealing licenses. Each one must be appealed separately at a cost of 200 euro each, with a time limit for appeals being four weeks from date of the government’s decision on December 4.

Columbia Hillen, my wife who is from Romania but concerned about the environment, stood up and asked if those local people who had applied for licenses would show support for the local committee by refusing to accept them even if they were granted. None of those applicants in the hall – and there were some present – said anything. One of the applicants, Seamus O’ Donnell who owns Cluain Na d’Tor (Seaside Nursery Garden) in Falcarragh had gone as far as saying he is “having second thoughts” about his application for over 4.4 hectares of aquaculture if granted. But has he withdrawn his application?

For full information on all applications see HERE.

One speaker said Ballyness Bay was one of the best surfing areas, comparable to Hawaii and western Australia, creating strong tourism income. “Let’s try to keep it that way by not spoiling the scenery.”

Another speaker summed up feelings of many people present, “Governments that treat people with disdain, usually get their comeuppance.”

Sean Hillen is co-founder of Gaoth Dobhair based ‘Ireland Writing Retreat and author of the contemporary novel, ‘Pretty Ugly,’  linking Donegal and the United States.

Journalism: a funny thing, sometimes

Sometimes it’s not writing about political showmanship and skullduggery or economic booms and busts that create good journalism.

Sometimes, it’s the simple quirks of everyday life that make for a good story.

You can imagine my delight in unearthing these two tales of near disaster in Donegal that end happily.

They give new meaning to the term ‘missing people.’

Missing boy (5) found safe – in a hot press on Gola Island

gola island donegal, donegal tourism, gaeltacht tourism,

He almost ‘missed the boat’ 

gaeltacht tourism, gola island, donegal tourism

 

Donegal Gaeltacht community spirit rides high

I was delighted to write this feature piece for the ‘Donegal News’ recently supporting the hard-work, communal spirit and creativity of people in Gaoth Dobhair, Falcarragh and the Rosses in hosting their respective festivals.

For such a small rural area, often there are more diverse cultural activities – dance, theatre, sporting events, concerts, to be name but a few – than in major urban areas.

Delightfully, making choices as to which to attend can be the biggest challenge.

Sean Hillen Donegal gaeltacht, donegal gaeltacht,