Young Donegal performers display their talents

Movie music, Irish fiddle tunes, classic compositions and songs  by Fleetwood Mac and Britney Spears – such was the diversity of entertainment I enjoyed recently at Donegal’s Regional Cultural Centre.

From Ennio Morricone’s captivating score for the movie, ‘The Mission,’ to ‘Finlandia’ by classical composer Jean Sibelius to traditional fiddle tunes, young maestros at Donegal Music Education Partnership (DMEP) served up a feast of entertainment at their summer concert.

Two reels by Caitlin Kennedy on fiddle, accompanied by her brother, Neil, on guitar; Chason Triste by Tchaikovsky played by Deirbhile Flynn on violin; Deux Interludes by Jacques Ibert played by Andrea Mota on oboe and Eve O’Donnell on flute; a concerto by Mozart played by Marina Mercade on flute; an allegro from a sonata by Handel played by Clara Mercade on violin; Ashokan Farewell by Jay Ungar played by Seana McGarry on violin; and Palladio by Karl Jenkins played by Clodagh Doherty on viola were all part of a diverse repertoire by members of the Donegal Youth Orchestra. Percussionist Cathal O’Donnell displayed his vocal skills, singing ‘You’ll Be back’ from the musical, ‘Hamilton.’

The Donegal Youth Choir performed songs ranging from ‘Nothing’s Gonna Harm You’ by Stephen Sondheim from the musical, ‘Sweeney Todd,’ to ‘Songbird’ by Christine McVie of Fleetwood Mac and ‘Everytime’ by Britney Spears.

Audience members at the packed event at the Regional Cultural Centre Sunday evening included Anne McHugh, chief executive of Donegal Education and Training Board, which funds DMEP, and Dr Martin Gormley, ETB’s director of schools.

Martin McGinley, DMEP music development manager, introduced the two-hour event, which ended with presentations to graduates of the educational program which provides vocal training and tuition in a range of instruments.

Orchestra conductor and composer, Vincent Kennedy, who also played a trumpet duet with Niamh O’Donnell, and choir conductor, Evan McGarrigle, and accompanists, including Hannah Gallagher from Falcarragh, all received an enthusiastic standing ovation. The evening also featured Kennedy’s composition, ‘The Letterkenny Waltz.’

Half million euro missing in Donegal, 250 euro returned

Half a million euro would be considered a miraculous life-saver by Mary, the tireless community worker struggling on behalf of cancer patients from Donegal who can barely afford the hefty cost of travel to Galway for specialised treatments.

If the hardworking managers of local community centres in the Donegal Gaeltacht received half a million euro, they could hire additional full-time Irish, and English-language, staff for several years and expand exponentially their range of services and activities in support of local people. 

If Amharclann, the Irish-language theatre in Bunbeg, received half a million euro, it could run an exciting cultural programme of dance, music, cinematic and theatrical performances for the next five years.

Not to mention how hard-pressed individual artists and musicians bereft of gigs due to Covid could use that money. Or indeed the Donegal office of Irish-language organisation, Foras na Gaeilge, whose local members help keep our native language alive here. And as for those unfortunate people whose homes and businesses have been destroyed by mica ….

But none of these groups have the luxury of half a million euro. 

Such a notion would be considered pure and utter fantasy, especially in the hard financial times in which we now live. 

Yet that is about the sum of money former Donegal Fianna Fail Senator, Brian O’Donnell, from Falcarragh in the heart of the Donegal Gaeltacht, has just wasted. ‘Snatched brutally, selfishly and greedily’ some are saying, from the public purse. Others use the term ‘stolen,’ but in this article I wish to be diplomatic.

How did he do this?

Ironically, over the Irish language.

O’Donnell was caught taking money from the public purse by duplicating travel and subsistence expenses as both board member of Irish-language economic group, Údarás na Gaeltachta, and Donegal County Council. 

The accusations – and this beggars belief – investigated by the Standards in Public Office Commission (SIPO) – was that it would have been impossible for him to have been in two different parts of the country at exactly the same time, at two different conferences. 

And there I thought teleportation – where matter is de-materialised at one place and recreated instantly at another – happened only in science-fiction movies and fantasy comics.

If that wasn’t enough, the former Fianna Fail Senator then cowardly left the scene of an accident while driving his car in a drunken state.

But that’s only the beginning of the saga.

O’Donnell, with the aid of well-paid lawyers, fought the accusations against him, not on the basis of whether they were right or wrong, true or false, but on the simple basis that the cases should be heard as Gaeilge (in Irish) not English. The fact that both languages are official languages of the Republic of Ireland didn’t matter a damn to him, nor them. Nor the eventual cost to ordinary Irish citizens, including those unfortunate people suffering from cancer.

The rest of the story is spread across years of newsprint.

After deploying numerous tactics to delay the ‘claims investigation’ many times, he then decided to do the same to the ‘leaving the scene of an accident’ investigation, not once but a total of 20 times.

As a result, the total bill to the ordinary Irishman, woman and child has been estimated at around – yes, you’ve guessed it – half a million euro, the amount the board of trustees of Amharclann, Donegal’s proud Irish-language theatre, the hardworking staff of the county’s community centres and the many severely sick people – all dream of having to help them.

In the meantime, craftily devising his delaying tactics, which eventually spanned a massive eight years, did O’Donnell quietly planned his ‘get-out-of-jail card’ – his emigration to Canada? In fact, O’Donnell being found guilty could perhaps have led to a short prison sentence and would have prevented him emigrating to Canada. And certainly would have prevented him getting a Canadian driving license.

Was his delaying tactics also related to avoidance of his share of the legal costs? For example, I’ve been trying to find out if he ever paid a legal bill placed upon him by three judges who threw out of court his claim that the SIPO was not entitled to investigate his duplicitous behaviour because, he claimed, the allegations arose from ‘an anonymous complaint by a member of the public.’ 

I’d like to know not only if Mr. O’Donnell has paid his full legal bill but how much it was. If Mr O’Donnell is reading this, please get in touch. It’s only fair to hear his side of the story. And transparency is something we all should strive for.

Mysteriously the court hearing that finally put an end to one of the most ludicrous and wasteful cases in Irish legal history, almost went under the radar earlier this month, slipped quietly and quickly onto the docket of a mundane court sitting.

How did this happen? Donegal media said simply that, “according to court papers.. O’Donnell’s case was not due to be heard until the Wednesday after during a sitting  of Falcarragh District Court.” That’s when his (O’Donnell’s) solicitor, Sean Cannon, “brought the matter up with Judge Paul Kelly …during a family law sitting of Letterkenny District Court.” And the judge conveniently and quickly moved the case forward.

‘Brought the matter matter up?’ What the hell does that mean? And does such a serious case merit being in a sitting on family law? The mind boggles.

And this Judge Paul Kelly? Who is he? Was he appointed under a previous Fianna Fail government? Does it look like it from this article? But then again, that doesn’t matter, surely. After all, the Irish legal system is separate from the political one, isn’t it?

Though, as we well know, it is not unknown in Ireland for political favours and indeed, brown envelopes, or both, to pass hands.

The result of the long-delayed case: a ridiculously low fine, in my opinion, of 250 euro for charges of drunken driving leaving the scene of an accident and providing misinformation the police. I dare you to find any court case where such a laughable decision has been made in such a serious case. 

As for the short ban from driving, does it really matter? O’Donnell is sitting pretty in another country. Did an infamous Irish ‘brown envelope’ pass hands to facilitate this convenient legal accommodation in Letterkenny? No-one knows, and unfortunately no-one will probably ever know. Is this just an example of the old adage, ‘there’s a law for the ordinary working citizen but a very different one for the elite, well-connected in Irish society?’ 

So, while O’Donnell enjoys his new life in Quebec, Irish men, women and children in his very own constituency in the heart of the Donegal Gaeltacht continue to struggle to make ends meet, people continue to suffer pain and hardship, some desperately trying to raise enough money to help them avail of specialised life-saving cancer treatments. And young, talented teachers from the Donegal Gaeltacht, and other parts of the county, are forced to go abroad, to places like Quatar in the Middle East, because there’s no money to employ them here at home.

Is this called ‘fairness’ in Ireland today? 

Among all this misconduct (there are stronger words to describe O’Donnell’s behaviour), there are two other guilty parties that should not escape blame and require stronger scrutiny by the public at large and by themselves. 

At the very least, both Údarás na Gaeltachta and Donegal Council obviously urgently require a proper Code of Practice for Good Governance. And, more importantly, to enforce it. Want to know more about the failings of Údarás na Gaeltachta, an organisation that receives tens of millions of euro from the public purse every year? Read more here. Has it cleaned up its act since then? Time will tell.

There’s little anyone can do now about the regrettable situation surrounding the O’Donnell controversy, except two things.

Firstly, as a citizen you have the right to appeal to the relevant authorities about a court decision you consider overly-lenient and unfair and to have the case reviewed. One place to start is writing to the Complaints Department of the Law Society of Ireland at complaints@lsra.iethe

Then the Judicial Conduct Committee established by The Judicial Council recently. You can write a short email to: info@judicialcouncil.ie You can ask to remain anonymous in both instances. It’s time to stand up and speak out, don’t you think?

I have already sent a complaint about Judge Paul Kelly’s decision as I consider a 250 euro fine to be utterly ridiculous and a 3-year driving ban to be insignificant, considering that Mr. O’Donnell can simply come to Ireland in the intervening years and drive with no problems using a Canadian driving license I presume he will obtain quite easily, thus posing a danger yet again to ordinary people on our roads. On both sides of the Atlantic.  

Secondly, when election time comes round, and it will come quicker than you think, consider carefully which political party and candidates you vote for. Is it not better to avoid the Brian O’Donnells of this world and choose others with a much greater sense of decency and honesty? 

Are yoga, thai chai and reiki dreaded Druidic distractions? Is the anti-cervical cancer vaccine, HPV, the Devil’s poison?

Glancing through last Friday’s edition of the ‘Donegal News,’ I was dazzled by the sheer creativity of people from Ireland, (see a particularly interesting article on page 47 focusing on a man who lasted 70 days in prison without food and is now a Doctor in Sociology and a well-known Irish playwright and film and documentary script writer).

It’s as if the artists of every shade throughout Ireland and particularly in my resident county, Donegal – musicians, actors, painters, dancers et al – feel they have a deep, abiding, age-old responsibility to uphold our ancient rich Gael culture, and in doing so, prevent its dilution.

And I don’t mean – wonderful though it is – simply the native folk music and song of the lauded, award-winning Frosses-native Rita Gallagher and Gaoth Dobhair’s Mairead Ni Mhaonaigh (who play this Thursday at the Balor Arts Centre as part of the Bluestacks Festival).

rita Gallagher, Mairead Ni Mhaonaigh

Winners of TG4 Gradam Ceoil Awards.

I mean our vast spread of artistic talent, first brought here to these shores when definitive Celtic traditions arrived from places such as Romania and Gaul (Gallia) in the fourth century B.C.

Then, unlike all other islands, Alice Stopford Green tells us in her work ‘Irish Nationality,’ Ireland, “was circled round with mountains, whose precipitous cliffs rose sheer above the water standing as bulwarks against the immeasurable sea, providing a bulwark – though sadly not an invincible one – against invaders of all kinds. And certainly, helping far-flung places such as Donegal escape foreign domination.” (unlike the Pale of Dublin which followed a completely different tract).

Irish chroniclers tell of a vast Celtic antiquity, with a shadowy line of monarchs reaching back some two thousand years before Christ: legends of lakes springing forth; of lowlands cleared of wood; the appearance of rivers, the making of roads and causeways, the first digging of wells: the making of forts; invasions and battles and plagues.

The Celts or Gaels exalted and encouraged learning in national life. Professors of every school roamed freely here and the warrior’s duty was to protect them. There were periodical exhibitions of everything the people esteemed—democracy, literature, tradition, art, commerce, law, sport, the Druid religion, even rustic buffoonery. The years between one festival and another were spent in serious preparation for the next.

Innovative arts programme at the Balor Arts Center, Ballybofey, Donegal.

The law of the Celts was the law of the people. They never lost their trust in it. They never followed a central authority, for their law needed no such sanction. A multitude of maxims were drawn up to direct the conduct of the people.

While the code was one for the whole race, the administration on the other hand was divided into the widest possible range of self-governing communities, which were bound together in a willing federation. The forces of union were not material but spiritual, and the life of the people consisted not in its military cohesion but in its joint spiritual inheritance—in the union of those who shared the same tradition, the same glorious memory of heroes, the same unquestioned law, and the same pride of literature.

So deeply was their importance felt, the Irish have kept these tradition diligently, and even in the darkest times of our history, down to the 17th century, still gathered to ‘meetings on hills’ to exercise their law and hear their learned men.

Not-to-be-missed performer.

So please think of this rich vein of cultural tradition that we’ve inherited when you read this week about the wealth of artistic talent on display here in Donegal and throughout Ireland – the multi-talented Pat Kinevane from Temple Bar-based Fishamble enacting not one but three separate one-man plays beginning this Friday with ‘Forgotten,’ at An Grianan in Letterkenny, a fine venue under the organization of Patricia McBride, Helene McMenamin, Daithi Ramsay and other staff members; Fishamble’s literary officer, Gavin Kostick, hosting playwriting masterclasses this Saturday there; the Regional Cultural Centre in Letterkenny, under the direction of Shaun Hannigan, presenting a feast of autumn concerts, kicking-off with the duet of Eliza Carty and Tim Eriksen this Friday evening; and ‘The Ghostlight Sessions’ at the Balor Arts Centre in Ballybofey tonight, an evening of original music curated by Nikki Pollock (Mojo Gogo) and Dean Maywood and featuring ‘In Their Thousands’ and ‘Without Willow.’

Not to mention ‘The Donegal Voices’ this Friday in Ballyshannon performing Handel’s magnificent ‘Coronation Anthems’ and the ‘Hallelujah Chorus.’ Many of the performances are funded by the Donegal County Council/An Comhairle Ealaion.

First Lady of Celtic music – Donegal-born Moya Brennan.

And if you missed Moya Brennan of Clannad performing a few days ago with her husband, Tim, daughter Aisling and son Paul, in Teac Leo in Crolly, in support of the Inishowen Floods Fund, you’ll surely get the chance again to hear this brilliantly talented family in the future. The same goes for ‘Shoot The Gear,’ a fine piece of theater with a fishing-community based theme facilitated by the Killybegs Fishermen’s Organization, written by An Grianan Theatre artist-in-residence, Guy Le Jeune, and performed by a cast of local actors, singers and musicians including Fionn Robinson, Louise Conaghan, Orlaith Gilchreest and Ronan Carr.

Speaking of music, what a terrific accomplishment by Donegal Music Education Partnership (DMEP) manager, Martin McGinley, and his team, including tutor and pianist, Ellen Quinn, Maureen Fryer-Kelsey and James Sarsteiner , with help from Marianne Lynch of Donegal County Council Library Services in putting together a new online library of more than 1,500 musical items that the public can easily access.

Martin McGinley (left) – Journalist, editor, fiddle player par excellence, now manager of Donegal Music Education Partnership.

However, as we rightly attempt to emulate our rich, multi-layered Celtic past, I would issue a sharp warning. While the keystone of our proud ancestors’ beliefs was based on the premise of democracy, each individual having a fair say, let us beware.

The Catholic Church – so long dominant in Irish society after vanquishing Druidic life, more so in rural Irish society – must now learn to accept – in turn – its rapidly changing place. And that place is no longer its own self-styled, unquestioning right to direct all community groups, especially on sensitive matters of finance. Too often have I heard complaints here in the Donegal Gaeltacht and elsewhere in Ireland about frocked priests and bishops sitting at the heads of tables, making vital decisions, often cunningly in an underhand way ahead of the formal committee meetings, on where vital monies should go. And not always to the benefit of the community as a whole – but to the church in particular.

My own area, Cnoc Fola, has just received a grant of 40,000 euro from Fine Gael Minister Joe McHugh. Considering the rather incestuous relationship between the Catholic Church and successive ruling political parties in Ireland – Fianna Fail and Fine Gael – is it reasonable for me to expect there is no payback expected, from both church and state, for this money, in terms of votes and support?

Is it also reasonable for me to trust the word of men in long black coats who describe yoga, thai chai and reiki as activities that ‘endanger our souls’ and who also discourage women from taking the HPV vaccine against cervical cancer, saying it simply encourages widespread promiscuity and immorality? And who move child abusing clergy from parish to parish?

Some months ago in a previous blog, I invited a well-known, rather affable west Donegal Gaeltacht priest, Brian O’Fearraigh, to join community members in our weekly yoga sessions at An Crann Og in Gaoth Dobhair. He hasn’t made an appearance yet. My offer is still open. He’d receive a warm ‘Cead Mile Failte’ from very friendly people there.

What do these seemingly unrelated issues – yoga, thai chai, reiki and the HPV vaccine – have in common, anyway? Freedom of mind and body, of course. And such displays of individual identity are perceived as hot, red-light dangers by most major corporation and institutions, especially the more conservative ones.
Wait for it, it’ll be swimming, cycling, swing dancing and jazz next. Oh, I forgot, the latter was already forbidden by the Church to all God-fearing people some years ago.

Does that mean God-loving people can enjoy such relaxing music? Even if they are Druids, Pagans, atheists, agnostics or pantheists and their God is Mother Nature herself?

Notes 

Hope you like my latest published novel, the suspense Pretty Ugly, linking Donegal and other parts of Ireland, including Belfast, with the US cities of Boston, New York, Kansas City and Washington DC.

Interested in creative writing? A novel? Biographical memoir? Play or movie script? See Ireland Writing Retreat