Mysterious cat murderer provides intriguing subject for creative writing workshop at Belfast Book Festival

Illustrating the wide span of activities at Belfast’s Crescent Arts Centre, walking to Room 3 on the second floor earlier this week where I was hosting a workshop on creative writing at the city’s annual book festival, I passed a book club meeting, a dance class, an event hosted by a UN group and even a music lesson for people learning the tin whistle.
To say this well-known arts centre located a short walk from Queens University provides an impressive range of cultural and educational activities for city residents and visitors alike may be an understatement.

Under the skilled directorship of Keith Acheson as well as staff members such as Peter McCloskey, the centre maintains its position as a popular community venue by reaching out to people of all ages, genders, faiths and nationalities.

The week-long annual Belfast Book Festival, which ends in a few days, is a prime example. Dwarfing many such festivals in other countries for sheer diversity, it comprises around 100 different events and activities, ranging from children’s literature to crime, with multiple author presentations in many genres and lively discussions and debates.

I was delighted to be asked to host a two-hour workshop entitled ‘IQ for Creative Writers’ in which, through a combination of practical writing exercises and a multi-media presentation,

The workshop allowed me to demonstrate the links between rules of journalism and creative writing, as well as the importance of asking questions (thus IQ, meaning ‘I Question’) to develop strong characters, plot-lines and locations, indeed all aspects of a novel or short story.

Using the classic five Ws of journalism, ‘who, what, why, where, when’ plus the all-important sixth ‘W’ – ‘what-if’ – workshop participants, including an experienced teacher, a qualified solicitor and an actor, produced vivid stories based on a recent intriguing newspaper article I found that focused on a mysterious murderer of cats in small-town France. One such story written by one of the participants featured a unique character – an astute detective – a cat.

Other stories developed during the workshop included an intriguing tale of “promises, praise and half-truths” about the shenanigans of a corrupt chemical company whose products caused widespread illness and a tension-filled story about a woman’s momentous decision in the dead of night to follow her husband whom she suspects of being a cat murderer.

Participants also discussed the qualitative difference between open and closed questions for critical information gathering.

I also showed how I utilized my own background experience in print and broadcast journalism in Europe and the US to help me develop scenery, drama and key characters for my novel, ‘Pretty Ugly.’

The Belfast Book Festival continues this weekend. Don’t miss your last chance to enjoy a wealth of interesting talks on the wide world of literature.

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